Books | Articles & Essays | Entries in Encyclopedias & Reference Works
Dissertations | Profiles | Reviews
Dissertations | Profiles | Reviews
Books
- Ackland, Michael, The Experimental Fiction of Murray Bail (Amherst MA & New York: Cambria, 2012).
- Costello, Moya, Harriet Chandler: A Novella (Short Odds, 2014).
- Daniel, Helen, Liars: Australian New Novelists (Ringwood: Penguin, 1998).
- Gelder, Ken, & Paul Salzman, After the Celebration: Australian Fiction 1989-2007 (Melbourne: Melbourne UP, 2009).
- Gelder, Ken, & Paul Salzman, The New Diversity: Australian Fiction 1970-88 (Melbourne: McPhee Gribble, 1989).
- Goodwin, Ken, History of Australian Literature (Basingstoke & London: Macmillan, 1986).
- Samuels, Selina, ed. Dictionary of Literary Biography, Volume 325: Australian Writers, 1975-2000 (Farmington Hills, MI: Thomson Gale, 2006).
Articles & Essays
- Ackland, Michael, ‘Beneath the Camouflage: Mimicry and Settler False Consciousness in the Fiction of Murray Bail’, Journal of Commonwealth and Postcolonial Studies, 17.2 (2011), pp. 72-89.
- Ackland, Michael, ‘“Matisse is Jammed with Confidence”: Painting and Creative Inspiration in the Early Writings of Murray Bail’, Westerly, 56.1 (2011), pp. 47-63.
- Ackland, Michael, ‘“On all fours passing, tintinnabulation”: Murray Bail’s Creative Case against the Imperial Word’, in The Tapestry of the Creative Word in Anglophone Literatures, ed. by Caterina Colomba, Maria Renata Dolce, Stefano Mercanti, & Antonella Riem Natale (Udine: Forum, 2013), pp. 213-240.
- Ackland, Michael, ‘Politics, Clichés and the “Lurky Country”: Murray Bail’s Critique of National Mythologies in Holden’s Performance’, ZFA, 25 (2011), pp. 27-41.
- Ackland, Michael, ‘“We Are All Philosophers; We Cannot Help Being”: Credos, Life-Choices and Philosophy in Murray Bail’s The Pages’, JASAL, 12.3 (2012), pp. 1-13.
- Attridge, John, ‘Detourism: Murray Bail’s Photographic Fiction’, Journal of Commonwealth Literature, 39.3 (2004), pp. 69-91.
- Cabarcos Traseira, María Jesús, ‘Landscaping and Narrating White Australian-ness in Murray Bail’s Eucalyptus’, in Oral and Written Narratives and Cultural Identity: Interdisciplinary Approaches, ed. by Francisco Cota Fagundes, & Irene Maria F. Blayer (New York: Peter Lang, 2007), pp. 189-201.
- Chisholm, Anne, ‘The Blue Biro World of Murray Bail’, National Times, 15-21 February 1981, pp. 41-42.
- Craven, Peter, ‘Murray Bail: The Homemade Modernist finds a Heart’, Heat, 9 (1998), pp. 75-91.
- Dixon, Robert, ‘“The Great Australian Emptiness Revisited”: Murray Bail’s Holden’s Performance’, first published in Australian Literary Studies, 15.1 (May 1991), pp. 26-37 (on Academic Search Premier, search.epnet.com: 1-9).
- Flanery, Patrick Denman, ‘A Theory of Hands’, Times Literary Supplement, 22 & 29 August 2008.
- Hassan, Ihab, ‘Changelings in Janglish: Or, How Australian Is It?’, in English Now: Selected Papers from the 20th IAUPE Conference in Lund 2007, ed. by Marianne Thormählen (Lund: Centre for Languages and Literature, Lund University, 2008), pp. 162-74.
- Henighan, Stephen, ‘Planting Australia’, Times Literary Supplement, 3 July 1998, p. 19.
- Herbillon, Marie, ‘Linearity as Metadiscourse in Murray Bail’s Fiction’, Anglophonia / Caliban (French Journal of English Studies): Divergences and Convergences, 21 (2007), pp. 225-237.
- Herbillon, Marie, ‘La Linéarité comme métadiscours dans l’œuvre de Murray Bail’ (augmented version), MethIS (Méthodes et Interdisciplinarité en Sciences humaines), 1 (2008), pp. 141-158.
- Herbillon, Marie, ‘À l’orée du soi : poétique de l’extime dans les carnets autobiographiques de Murray Bail’, in Esthétique et Spiritualité III : À l’école de la vie intérieure, approches interdisciplinaires, ed. by Jérémy Lambert, & Andrée Lerousseau (Fernelmont & Paris: EME (Éditions Modulaires Européennes) & CEI (Collectif des Éditeurs Indépendants), 2013), pp. 179-192.
- Herbillon, Marie, ‘Murray Bail’s Eucalyptus: an Australian Fairy Tale?’, in The Cross-Cultural Legacy: Critical and Creative Writings in Memory of Hena Maes-Jelinek, ed. by Gordon Collier, Geoff Davis, Marc Delrez, & Bénédicte Ledent (Leiden: Brill, Cross/Cultures 193, 2016), pp. 247-253.
- Herbillon, Marie, ‘A Piano Made in Australia: Reinventing an Emblem of Cultural Wealth in Murray Bail’s The Voyage’, Antipodes: A Global Journal of Australian/New Zealand Literature, 31.2 (2017), pp. 361-373.
- Herbillon, Marie, ‘Remapping Australia: Murray Bail's New Topographies of the Self in the Notebooks’, Commonwealth Essays and Studies, 40.2 (2018), pp. 9-22.
- Herbillon, Marie, ‘Spatial Linearity and Post-Colonial Parody in Murray Bail’s Holden’s Performance’, in A Sea for Encounters: Essays Towards a Postcolonial Commonwealth, ed. by Stella Borg Barthet (Amsterdam & New York: Rodopi, Cross/Cultures 117, 2009), pp. 149-164.
- Herbillon, Marie, ‘Towards an Australian Philosophy: Constructive Appropriation of Enlightenment Thinking in Murray Bail’s The Pages’, in Under Construction: Postcolonial Gateways and Walls, ed. by Janet Wilson, & Daria Tunca (Amsterdam & New York: Rodopi, 2016), pp. 87-106.
- Herbillon, Marie, ‘Twisting the Australian realist short story: Murray Bail's “Camouflage”’, Journal of Postcolonial Writing, 54.1 (2018), pp. 83-94. (Reissued by Routledge in book format (2019).
- Herbillon, Marie, ‘Writing Space in the Plural: New Australian Geographies in Murray Bail’s Fiction’, The Journal of the European Association for Studies of Australia (JEASA), 7.2 (2016), pp. 41-57.
- Jacobs, Lyn, ‘The “Good Oil”: Eucalypts and Murray Bail’s Eucalyptus’, Antipodes, 15.1 (June 2001), pp. 40-46.
- Johinke, Rebecca, ‘Misogyny, Muscles and Machines: Cars and Masculinity in Australian Literature’, in Contemporary Issues in Australian Literature, ed. by David Callahan (London & Portland OR: Frank Cass, 2002), pp. 95-111.
- Kušnír, Jaroslav, ‘Colonization and Displacement in Murray Bail’s Eucalyptus’, in Literatures in English in the Context of Post-Colonialism, Postmodernism and the Present, ed. by Jaroslav Kušnír (Prešov: Jaroslav Kušnír, 2007), pp. 210-218.
- Kušnír, Jaroslav, ‘Michael Wilding, Murray Bail, Rodney Hall and Frank Moorhouse’, in A Companion to Australian Literature since 1900, ed. by Nicholas Birns, & Rebecca McNeer (Rochester NY: Camden, 2007), pp. 345-358.
- Lee, Hermione, ‘Thinking about the World’, Guardian, 23 August 2008.
- McNeer, Rebecca, ‘Happily Ever After: William Shakespeare’s The Tempest and Murray Bail’s Eucalyptus’, Antipodes: A North American Journal of Australian Literature, 16.2 (December 2002), pp. 171-176.
- Martin, Susan K., ‘The Wood from the Trees: Taxonomy and the Eucalypt as the New National Hero in Recent Australian Writing’, JASAL, 3 (2004), pp. 81-94.
- Pons, Xavier, ‘Australia Takes on the World: Identity and Representation in Murray Bail’s Homesickness’, Commonwealth, 14.1 (1991), pp. 1-8.
- Saguaro, Shelley, ‘Telling Trees: Eucalyptus, “Anon,” and the Growth of Co-evolutionary Histories’, Mosaic, 42.3 (September 2009), pp. 39-56.
- Sayers, Stuart, ‘A Search for Something Else’, Age, 9 August 1980, p. 26.
- Selles, Colette, ‘Language and Secondarity in Murray Bail’s Holden’s Performance’, Commonwealth, 20.1. (1997), pp. 77-85.
- Sharrad, Paul, ‘Estranging an Icon: Eucalyptus and India’, Interventions, 9.1 (2007), pp. 31-48.
- Spinks, Lee, ‘Texts and Counter-Texts: The Allegorical Art of Murray Bail’, SPAN: Journal of the South Pacific, 39.2 (October 1994), pp. 1-14.
- Thomas, Glen, ‘Patrick White and Murray Bail: Appropriations of “The Prodigal Son”’, first published in Australian Literary Studies, 15.1 (May 1991), pp. 81-86 (on Academic Search Premier, search.epnet.com: 1-6).
- Wilson, Robert R., ‘The Discourse of Museums: Exhibiting Postmodernism’, Open Letter, 7.1 (1988), pp. 93-110.
- Wilson, Robert R., ‘History Becomes (His) Story: Murray Bail’s Homesickness and Robert Kroetsch’s Alibi’, in The Writer as Historical Witness: Studies in Commonwealth Literature, ed. by Edwin Thumboo, & Thiru Kandiah (Singapore: UniPress, 1995), pp. 161-166.
Entries in Encyclopedias & Reference Works
- Ackland, Michael, ‘Murray Bail’, in Dictionary of Literary Biography, Volume 325: Australian Writers, 1975-2000, ed. by Selina Samuels (Farmington Hills MI: Thomson Gale, 2006), pp. 24-30.
Dissertations
- Herbillon, Marie, 'Beyond the Line: Murray Bail's Spatial Poetics', PhD dissertation, University of Liège, Belgium, 2005.
- Herbillon, Marie, 'Between the Lines: Unravelling the Cult(ure) of Linearity in Murray Bail's Holden's Performance', PhD dissertation, University of Liège, Belgium, 2016.
Reviews [under construction]
Fiction
Eucalyptus
- McKemmish, Ian, Meanjin, 57.4 (1998), pp. 828-831.
- Norton, James, Flak Magazine, n.d..
- Ross, Margaret Clunies, Southerly, 63.1 (2003), pp. 220-222.
- Seaman, Donna, ‘Sleeping Beauty in Australia’, Bookwire, n.d..
The Pages
Non-Fiction
© 2023 Marie Herbillon. Please do not reproduce without permission.
If you use this bibliography extensively, please kindly cite it among your sources.
If you use this bibliography extensively, please kindly cite it among your sources.
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