Books

• Alley, Elizabeth, ed., The Inward Sun: Celebrating the Life and Work of Janet Frame (Wellington: Daphne Brasell, 1994; St Leonards, NSW: Allen & Unwin, 1994).
• Alley, Elizabeth, and Mark Williams, eds., In the Same Room: Conversations with New Zealand Writers (Auckland: Auckland University Press, 1992).
• Baisnée, Valérie, Gendered Resistance: The Autobiographical Writings of Simone de Beauvoir, Maya Angelou, Janet Frame, and Marguerite Duras (Amsterdam & New York: Rodopi, 1997; Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschft 17).
• Baisnée, Valérie, ‘Through the Long Corridor of Distance’: Space and Self in Contemporary New Zealand Women’s Autobiographies (Amsterdam & New York: Rodopi, 2014; Cross/Cultures 175).
• Bazin, Claire, Janet Frame (Tavistock: Northcote House, 2011; Writers and their Work).
• Bazin, Claire, and Alice Braun, Janet Frame, The Lagoon and Other Stories: Naissance d’une oeuvre (Paris: PUF, 2010).
• Boon, Kevin, Janet Frame (Wellington: Kotuku Publishing, 2006). For a juvenile audience.
• Braun, Alice, and Claire Bazin, eds., Janet Frame: The Lagoon & Other Stories and Beyond (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V).
• Cronin, Jan, The Frame Function: An Inside-Out Guide to the Novels of Janet Frame (Auckland: Auckland University Press, 2011).
• Cronin, Jan, and Simone Drichel, eds., Frameworks: Contemporary Criticism on Janet Frame (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110).
• Dalziel, Margaret, Janet Frame (Wellington: Oxford University Press, 1980; New Zealand Writers and Their Work).
• Delbaere, Jeanne, ed., Bird, Hawk, Bogie: Essays on Janet Frame (Aarhus: Dangaroo Press, 1978).
• Delbaere, Jeanne, ed., The Ring of Fire: Essays on Janet Frame (Sydney & Mundelstrup: Dangaroo Press, 1992).
• Delrez, Marc, Manifold Utopia: The Novels of Janet Frame (Amsterdam & New York: Rodopi, 2002; Cross/Cultures 55).
• Dvorak, Marta, and Christine Lorre, eds., Janet Frame: Short Fiction; special issue of Commonwealth: Essays and Studies 33.2 (2011).
• Evans, Patrick, An Inward Sun: The Novels of Janet Frame (Wellington: New Zealand University Press / Price Milburn, 1971).
• Evans, Patrick, Janet Frame (Boston: Twayne, 1977; Twayne’s World Authors Series 415).
• Fuentes-Vásquez, Carmen Luz, Dangerous Writing: The Autobiographies of Willa Muir, Margaret Laurence and Janet Frame (Amsterdam & New York: Rodopi, 2013; Costerus New Series 199).
• Gabrielle, Cindy, The Unharnessed World: Janet Frame and Buddhist Thought (Newcastle upon Tyne: Cambridge Scholars, 2015).
• Guignery, Vanessa, ed., Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories (Paris: Publibook, 2011).
• Hansson, Karin, The Unstable Manifold: Janet Frame’s Challenge to Determinism (Lund: Lund University Press, 1996).
• Irvine, Lorna M., Critical Spaces: Margaret Laurence and Janet Frame (Columbia, SC: Camden House, 2005; Literary Criticism in Perspective: Comparative Literature Series).
• King, Michael, Wrestling with the Angel: A Life of Janet Frame (Auckland: Viking, 2000; Washington, DC: Counterpoint, 2000).
• King, Michael, An Inward Sun: The World of Janet Frame, with contemporary photographs by Reg Graham (Auckland: Penguin, 2002).
• Leave-Cooper, Sheila, and Ian S. Smith, Janet Frame’s Kingdom by the Sea: Oamaru (Wellington: Lincoln University Press / Daphne Brasell, 1997).
• McQuail, Josephine A., ed., Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, with a Foreword by Patricia Moran (Jefferson, NC: McFarland & Company, 2018).
• Mattei, Anna Grazia, Lo specchio infranto: Scented Gardens for the Blind di Janet Frame (Pisa: ETS, 1985; Quaderni di Letteratura Anglo-Americana Series 15).
• Mercer, Gina, Janet Frame: Subversive Fictions (Dunedin: University of Otago Press, 1994; St Lucia: Queensland University Press, 1995).
• Mortelette, Ivane, Janet Frame: The Lagoon and Other Stories (Neuilly-sur-Seine: Atlande, 2010).
• Neville, Patricia, Janet Frame’s World of Books (Hannover: Ibidem, 2019).
• Oettli-van Delden, Simone, Surfaces of Strangeness: Janet Frame and the Rhetoric of Madness (Wellington: Victoria University Press, 2003).
• Panny, Judith Dell, I Have What I Gave: The Fiction of Janet Frame (Wellington: Daphne Brasell, 1992; New York: Braziller, 1993; revised edition Palmerston North: Dunmore Press with Whitireia Publishing, 2002).
• Richard, Ian, Dark Sneaks In: Essays on the Short Fiction of Janet Frame (Auckland: Lonely Arts, 2004).
• Stead, C.K., Kin of Place: Essays on 20 New Zealand Writers (Auckland: Auckland University Press, 2002).
• St Pierre, Matthew Paul, Janet Frame: Semiotics and Biosemiotics in Her Early Fiction (Plymouth: Fairlegh Dickinson University Press, 2011).
• Wikse, Maria, Materialisations of a Woman Writer: Investigating Janet Frame’s Biographical Legend (Oxford: Peter Lang, 2006).
• Zinato, Susanna, The House Is Empty: Grammars of Madness in Janet Frame’s Scented Gardens for the Blind and Bessie Head’s A Question of Power (Bologna: Cooperativa Libraria Universitaria Editrice Bologna, 1999).

 

Articles, Essays & Book Chapters

• Adachi, Ken, ‘Literary Prize Saved Author from Lobotomy’, Saturday Star [Toronto], 20 October 1984, pp. G1; G3.
• Adcock, Fleur, ‘Meeting Janet Frame’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 91-92.
• Alcock, Peter, ‘A Writer on the Edge: Janet Frame and New Zealand Identity’, Commonwealth: Essays and Studies 1 (1974-75), pp. 171-75.
• Alcock, Peter, ‘Frame’s Binomial Fall, or Fire and Four in Waimaru’, Landfall 29 (1975), pp. 179-87.
• Alcock, Peter, ‘On the Edge: New Zealanders as Displaced Persons’, World Literature Written in English 16 (1977), pp. 127-42.
• Alcock, Peter, ‘The Writing of Women in New Zealand’, World Literature Written in English 17.1 (1978), pp. 240-51.
• Alcock, Peter, ‘A Frame for Reality? Outside the Edge of the West’, Landfall 33 (1979), pp. 251-55.
• Alexander, Peter, ‘“The Girl in My Garden”: Frank Sargeson, William Plomer and Janet Frame’, Journal of New Zealand Literature 25 (2007), pp. 22-45.
• Alley, Elizabeth, ‘In Search of “The Inward Sun”’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 157-62.
• Anderson, Barbara, ‘The Mind and the Words’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 105-10.
• Anderson, Jean, and Nadine Ribault, ‘Why Two Heads are Sometimes Better than One: Collaborative Translation of Janet Frame’s The Lagoon and Other Stories’, Commonwealth: Essays and Studies 33.2 (2011), pp. 21-32.
• Ash, Susan, ‘“The Absolute, Distanced Image”: Janet Frame’s Autobiography’, Journal of New Zealand Literature 11 (1993), pp. 21-40.
• Ash, Susan, ‘Janet Frame: The Female Artist as Hero’, Journal of New Zealand Literature 6 (1988), pp. 170-89.
• Ash, Susan, ‘The Narrative Frame: “Unleashing (Im)Possibilities”’, Australian and New Zealand Studies in Canada 5 (1991), pp. 1-15.
• Ash, Susan, ‘Scandalously In-Different? Janet Frame, Postcolonialism and Gender’, in Opening the Book: New Essays on New Zealand Writing, ed. by Mark Williams and Michele Leggott (Auckland: Auckland University Press, 1995), pp. 123-39.
• Ashcroft, Bill, ‘Beyond the Alphabet: Owls Do Cry’, Journal of Commonwealth Literature 12.1 (1977), pp. 12-23. Reprinted in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 35-44; and in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 63-73.
• Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (London: Routledge 1989), pp. 104-109; 115.
• Backmann, Annemarie, ‘Security and Equality in The Rainbirds’, in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 94-103. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 139-48.
• Baisnée, Valérie, ‘To Ibiza: Separation and Recreation in Janet Frame’s Island Narrative’, Journal of New Zealand Literature 26 (2008), pp. 59-72.
• Baisnée, Valérie, ‘A Home in Language: The (Meta)Physical World of Janet Frame’s Poetry’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 89-106.
• Baisnée, Valérie, ‘Animals and Children in Janet Frame’s The Lagoon and Other Stories’, in Janet Frame: The Lagoon and Other Stories and Beyond, ed. by Alice Braun and Claire Bazin (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V), pp. 21-31.
• Baisnée, Valérie, ‘“Songs of Innocence” or “Songs of Experience”? The Construction of Childhood in Janet Frame’s The Lagoon and Other Stories’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 43-55.
• Baisnée, Valérie, ‘Bodies Revisited: Representations of the Embodied Self in Janet Frame’s and Lauris Edmond’s Autobiographies’, in Women’s Identities and Bodies in Colonial and Postcolonial History and Literature, ed. by Maria Isabel Romero Luis (Newcastle upon Tyne: Cambridge Scholars, 2012), pp. 11-25.
• Ball, Anna, ‘Writing in the Margins: Exploring the Borderland in the Work of Janet Frame and Jane Campion’, ESharp: Electronic Social Sciences, Humanities, and Arts Review for Postgraduates 5 (2005), pp. 1-18.
• Barringer, Tessa, ‘Frame[D]: The Autobiographies’, Journal of New Zealand Literature 14 (1996), pp. 90-106.
• Barringer, Tessa, ‘Powers of Speech and Silence’, Journal of New Zealand Literature 11 (1993), pp. 71-88.
• Bayes, Chantelle, ‘Nature and the Embodied Hybrid’, in The Creative Manoeuvres: Making, Saying, Being Papers: The Refereed Proceedings of the 18th Conference of the Australasian Association of Writing Programs, 2013, ed. by Shane Strange and Kay Rozinski, http://www.aawp.org.au/publications/the-creative-manoeuvres-making-saying-being-papers/
• Bazin, Claire, ‘An Angel at My Table’, Commonwealth: Essays and Studies 17.1 (1994), pp. 80-88.
• Bazin, Claire, ‘The Envoy from Mirror City’, Commonwealth: Essays and Studies 17.2 (1995), pp. 36-43.
• Bazin, Claire, ‘Taboo or Not Taboo? Janet Frame’s Autobiography’, Commonwealth: Essays and Studies 24.2 (2002), pp. 17-27.
• Bazin, Claire, ‘“Homelessness of Self”: Janet Frame’s Autobiography’, in Mapping the Self: Space, Identity, Discourse in British Auto/Biography, ed. by Frédéric Regard and Geoffrey Wall (Saint-Etienne: Presses de l’Université de Saint-Etienne, 2003), pp. 313-21.
• Bazin, Claire, ‘“Une seule lettre vous manque”: l’autobiographie de Janet Frame’, in Les Ecrivains en voyage: nouveaux mondes, nouvelles idées?, ed. by Sharon Fuller (Paris: L’Harmattan, 2005; Cahiers du CIRHILL 28), pp. 311-23.
• Bazin, Claire, ‘“From the Rim of the Farthest Circle”’, Journal of New Zealand Literature 24.1 (2006), pp. 115-29.
• Bazin, Claire, ‘Janet Frame: “Keel and Kool” or Autobiogra/Fiction’, Commonwealth: Essays and Studies 29.2 (2007), pp. 19-28.
• Bazin, Claire, ‘Histoires drôles et drôles d’histoires’, in Janet Frame: The Lagoon and Other Stories and Beyond, ed. by Alice Braun and Claire Bazin (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V), pp. 9-20.
• Bazin, Claire, ‘Mothers and Daughters in Janet Frame’s The Lagoon and Other Stories: A Long Story’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 31-42.
• Bazin, Claire, ‘Sea, Sex and Sun: Janet Frame’s Experience(s) in Ibiza’, Journal of New Zealand Literature 29.1 (2011), pp. 32-45.
• Bazin, Claire, ‘Strategies of Avoidance in The Lagoon and Other Stories’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 84-94.
• Bertram, James, ‘Violence in New Zealand Literature’, Salient, 21 September 1972, pp. 8-11.
• Bertram, James, ‘Janet Frame: The Reservoir’, in his Flight of the Phoenix: Critical Notes on New Zealand Writers (Wellington: Victoria University Press, 1985), pp. 124-26.
• Bertram, James, ‘Janet Frame: The Rainbirds’, in his Flight of the Phoenix: Critical Notes on New Zealand Writers (Wellington: Victoria University Press, 1985), pp. 126-28.
• Beston, John, ‘A Brief Biography of Janet Frame’, World Literature Written in English 17.2 (1978), pp. 565-69.
• Beston, John, ‘A Bibliography of Janet Frame’, World Literature Written in English 17.2 (1978), pp. 570-85.
• Beston, John, ‘The Effect of Alienation on the Themes and Characters of Patrick White and Janet Frame’, in Individual and Community in Commonwealth Literature, ed. by Daniel Massa (Msida: University of Malta Press, 1979): pp. 131-139.
• Bijon, Béatrice, ‘“Listening to the Sea Singing Inside the Shell”: Displacing Childhood and Trauma in Janet Frame’s Owls Do Cry and Towards Another Summer’, in Antipodean Childhoods: Growing Up in Australia and New Zealand, ed. by Helga Ramsey-Kurz and Ulla Ratheiser (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 99-112.
• Birat, Kathie, ‘Transparency and Orality in Janet Frame’s The Lagoon and Other Stories’, Commonwealth: Essays and Studies 35.1 (2012), pp. 37-44.
• Birns, Nicholas, ‘Gravity Star and Memory Flower: Space, Time and Language in The Carpathians’, Australian and New Zealand Studies in Canada 5 (1991), pp. 16-28.
• Boileau, Nicolas Pierre, ‘“Hark Hark the Dogs Do Bark”: Is Children’s Poetry Threatening Janet Frame in An Autobiography?’, Poetry and Autobiography 5.1 (2007).
• Boileau, Nicolas Pierre, ‘Places of Being: Janet Frame’s Autobiographical Space’, a/b: Auto/biography Studies 22.2 (Winter 2007), pp. 217-29.
• Boileau, Nicolas Pierre, ‘The Effect of Autobiography: Reading The Lagoon As If We Didn’t Know the Other Stories’, in Janet Frame: The Lagoon and Other Stories and Beyond, ed. by Alice Braun and Claire Bazin (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V), pp. 63-77.
• Blowers, Tonya, ‘Madness, Philosophy and Literature: A Reading of Janet Frame’s Faces in the Water’, Journal of New Zealand Literature 14 (1996), pp. 74-89.
• Blowers, Tonya, ‘The Textual Contract: Distinguishing Autobiography from the Novel’, in Representing Lives: Woman and Auto/Biography, ed. by Alison Donnell and Pauline Polkey (Houndmills: Macmillan and New York: Saint Martin’s, 2000), pp. 105-16.
• Blowers, Tonya, ‘To the Is-Land: Self and Place in Autobiography’, Australian–Canadian Studies: A Journal for the Humanities and Social Sciences 18.1-2 (2000), pp. 51-64.
• Bowron, Jane, ‘Frame’s Life Set for Film’, Dominion [Wellington], 17 May 1989, p. 13.
• Bragan, Ken, ‘Survival after the Cold Touch of Death: The Resurrection Theme in the Writing of Janet Frame’, Journal of New Zealand Literature 11 (1993), pp. 132-43.
• Braun, Alice, ‘A State of Siege de Janet Frame: Le langage du trou’, in L’Ecriture du corps dans la littérature féminine de langue anglaise, ed. by Claire Bazin and Marie-Claude Perin-Chenour (Nanterre: Publidix, 2007), pp. 113-22.
• Braun, Alice, ‘The Author at Work: Two Short Stories by Janet Frame’, Commonwealth: Essays and Studies 30.1 (2007), pp. 93-103.
• Braun, Alice, ‘The Sense of an Ending in Janet Frame’s Fiction’, in Janet Frame: The Lagoon and Other Stories and Beyond, ed. by Alice Braun and Claire Bazin (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V), pp. 97-109.
• Braun, Alice, ‘“Wear Wise Saws and Modern Instances like a False Skin”: Dominant Language at Play in Janet Frame’s The Lagoon and Other Stories’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 97-107.
• Braun, Alice, ‘“The Enormous Burden upon the I to Tell All”: Metafiction and Unveiling in Janet Frame’s Living in the Maniototo’, Commonwealth: Essays and Studies 35.1 (2012), pp. 45-53.
• Braun, Alice, ‘In the Memorial Room: The Conditions of Being a Writer’, Journal of Postcolonial Writing, 51.5 (2015), pp. 591-602.
• Braziller, George, ‘Thoughts on a 30 Year Journey’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 15-19.
• Broughton, W.S., ‘“With Myself as Myself”: A Reading of Janet Frame’s Autobiography’, in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 221-32.
• Brown, Alexis, ‘An Angel at My Table (1990): Janet Frame, Jane Campion, and Authorial Control in the Auto/Biopic’, Journal of New Zealand Literature 34.1 (2016), pp. 103-22.
• Brown, Ruth, ‘Owls Do Cry: Portrait of New Zealand’, Landfall 175 (1990), pp. 350-58.
• Brown, Ruth, ‘The Unravelling of a Mad Myth’, Women’s Studies Journal 7.1 (1991), pp. 66-74.
• Brown, Ruth, ‘The Rainbirds and Other Dunedins’, Journal of New Zealand Literature 10 (1992), pp. 115-25.
• Brown, Ruth, ‘A State of Siege: The Sociable Frame’, Journal of New Zealand Literature 11 (1993), pp. 49-58.
• Brown, Ruth, ‘Beyond the Myth: Janet Frame Unframed’, Journal of New Zealand Literature 21 (2003), pp. 122-39.
• Caffin, Elizabeth, ‘Ways of Saying in Recent New Zealand Fiction’, Journal of New Zealand Literature 2 (1984), pp. 7-14.
• Calder, Alex, ‘The Closure of Sense: Janet Frame, Language, and the Body’, Antic 3 (1987), pp. 93-104.
• Callahan, David, ‘Other Countries and the Terrain of Representation in The Adaptable Man’, Journal of New Zealand Literature 33.1 (2015), pp. 67-84.
• Camus, Marianne, ‘Faces in the Water de Janet Frame: Le monde des fous ou un monde de fous?’, Frontières et Syncrétisme 61 (2002), pp. 62-74.
• Caney, Diane, ‘Janet Frame and The Tempest’, Journal of New Zealand Literature 11 (1993), pp. 152-71.
• Capone, Giovanna, ‘Is-Land, Was-Land, I-Land: Janet Frame’s Country of Words’, in Africa-America-Asia-Australia: Saggi e richerche sulle culture extraeurope, ed. by Giuseppe Bellini, Claudio Gorlier, and Sergio Zoppi (Rome: Buzoni, 1985), pp. 41-54.
• Carter, Josephine, ‘An Other Form of Ghost Story: Janet Frame’s The Adaptable Man’, Interdisciplinary Literary Studies 13.1-2 (2011), pp. 45-60.
• Carter, Josephine, ‘The Ethics of the Melancholic Witness: Janet Frame and W.G. Sebald’, Mosaic: A Journal for the Interdisciplinary Study of Literature 46.1 (2013), pp. 1-18.
• Casertano, Renata, ‘Falling Away from the Centre: Centrifugal and Centripetal Dynamics in Janet Frame’s Short Fiction’, in Telling Stories: Postcolonial Short Fiction in English, ed. by Jacqueline Bardolph (Amsterdam & New York: Rodopi, 2001; Cross/Cultures 47), pp. 349-56.
• Cawley, Robert, ‘Janet Frame’s Contribution to the Education of a Psychiatrist’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 4-11.
• Chellappan, K., ‘The Child Archetype in Commonwealth Short Stories: Katherine Mansfield, Janet Frame, and Mulk Raj Anand’, Review of Commonwealth Literature 1.1 (1989), pp. 60-68.
• Clavier, Marion, ‘Faces in the Water: “The Feast of Fools” or the Rewriting of the Carnivalesque as Serving Thanatos’, in Janet Frame in Focus: Women Analyze the Work of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 110-26.
• Conetti, Lidia, ‘Janet Frame, the Little Child in Us’, Journal of New Zealand Literature 11 (1993), pp. 188-92.
• Cooper, Rhonda, ‘Wordsworth Does the Heaphy Track: Landscape in New Zealand Literature’, Landscape 35 (1987), pp. 5-8.
• Corballis, Dick, ‘The Painter’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 199-202.
• Cowley, Joy, ‘A Writer’s Writer’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 111-12.
• Cowman, Colleen, ‘The Wounded Spectrum: Colour-Coding and the Value of Harm in Janet Frame’s Owls Do Cry’, Journal of New Zealand Literature 14 (1996): pp. 61-73.
• Crinquand, Sylvie, ‘L’Autobiographie de Janet Frame: Une Histoire d’humour?’, in Par humour de soi, ed. by Sylvie Crinquand (Dijon: EUD, 2004), pp. 75-85.
• Cronin, Jan, ‘Contexts of Exploration: Janet Frame’s The Rainbirds’, Journal of Commonwealth Literature 40.1 (2005), pp. 5-19.
• Cronin, Jan, ‘“Encircling Tubes of Being”: New Zealand as Hypothetical Site in Janet Frame’s A State of Siege (1966)’, Journal of New Zealand Literature 23.2 (2005), pp. 79-91.
• Cronin, Jan, ‘The Theoretical Terrain of the Text: Reading Frame through The Edge of the Alphabet’, Journal of New Zealand Studies ns 2-3 (2005): pp. 45-63.
• Cronin, Jan, ‘Through a Glass Darkly: Reading the Enigmatic Frame’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 3-23.
• Cronin, Jan, ‘“What Is’t that Ails Young Harry Gill?”: Containers, Contents, and Composition in Janet Frame’s In the Memorial Room’, Commonwealth: Essays and Studies 36.2 (2014), pp. 93-102.
• Curnow, Tim, ‘Connections’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 25-33.
• Danby, Dawn, ‘A State of Siege’, And 2 (1984), pp. 102-106.
• Dean, Andrew, ‘Reading An Autobiography: Michael King, Patrick Evans and Janet Frame’, Journal of New Zealand Literature 29.1 (2011), pp. 46-65.
• Delbaere, Jeanne, ‘Daphne’s Metamorphosis in Janet Frame’s Early Novels’, ARIEL: A Review of International English Literature 6.2 (1975), pp. 23-37.
• Delbaere, Jeanne, ‘Death as the Gateway to Being in Janet Frame’s Novels’, in Commonwealth Literature and the Modern World, ed. by Hena Maes-Jelinek (Brussels: Didier, 1975), pp. 147-55.
• Delbaere, Jeanne, ‘Beyond the Word: Scented Gardens for the Blind’, in The Commonwealth Writer Overseas: Themes of Exile and Expatriation, ed. by Alastair Niven (Brussels: Didier, 1976), pp. 289-301. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 97-109.
• Delbaere, Jeanne, ‘Turnlung in the Noon Sun: An Analysis of Daughter Buffalo’, in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 115-28. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 161-76.
• Delbaere, Jeanne, ‘The Divided Worlds of Emily Brontë, Virginia Woolf and Janet Frame’, English Studies: A Journal of English Language and Literature 60 (1979), pp. 699-711.
• Delbaere, Jeanne, ‘Janet Frame and the Magic of Words’, in Essays on Contemporary Post-Colonial Fiction, ed. by Hedwig Bock and Albert Wertheim (Munich: Max Hueber, 1986): pp. 311-31.
• Delbaere, Jeanne, ‘Memory as Survival in the Global Village: Janet Frame’s The Carpathians’, in A Shaping of Connections: Commonwealth Literature Studies—Then and Now. Essays in Honour of A.N. Jeffares, ed. by Hena Maes-Jelinek, Kirsten Holst Petersen, and Anna Rutherford (Sydney: Dangaroo Press, 1989), pp. 213-24. Reprinted as ‘The Carpathians: Memory as Survival in the Global Village’, in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 199-208.
• Delbaere, Jeanne, ‘To Janet Frame, Secret Sharer’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 152-56.
• Delrez, Marc, ‘“Boundaries and Beyond”: Memory as Quest in The Carpathians’, Commonwealth: Essays and Studies 13.1 (1990), pp. 95-105. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992): pp. 209-20.
• Delrez, Marc, ‘Love in a Post-Cultural Ditch: Janet Frame’, Kunapipi 13.3 (1991), pp. 108-16.
• Delrez, Marc, ‘The Eye of the Storm: Vision and Survival in A State of Siege’, in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 126-38.
• Delrez, Marc, ‘The Unbearable Burden of Being: Janet Frame’s “Snowman, Snowman”’, Commonwealth: Essays and Studies 17.1 (1994), pp. 89-99.
• Delrez, Marc, ‘Forbidding Bodies: Avatars of the Physical in the Work of Janet Frame’, World Literature Written in English 38.2 (2000), pp. 70-79.
• Delrez, Marc, ‘Janet Frame’, in Engelstalige Literatuur Na 1945. Deel 2: Proza – Andere Continenten, ed. by Elke D’hoker and Ortwin De Graef (Leuven: Peeters, 2004), pp. 119-32.
• Delrez, Marc, ‘The Missing Chapter in Janet Frame’s Living in the Maniototo’, Journal of New Zealand Literature 24.1 (2006), pp. 73-93.
• Delrez, Marc, ‘“Conquest of Surfaces”: Aesthetic and Political Violence in the Work of Janet Frame’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009, Cross/Cultures 110), pp. 135-53.
• Delrez, Marc, ‘The Legacy of Invention: Determinism and Metafiction in Janet Frame’s Mona Minim and the Smell of the Sun’, Journal of Postcolonial Writing 45.1 (2009), pp. 27-35. Reprinted in Antipodean Childhoods: Growing Up in Australia and New Zealand, ed. by Helga Ramsey-Kurz and Ulla Ratheiser (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 113-26.
• Delrez, Marc, ‘The Migration of the Flightless Bird: Janet Frame’s Towards Another Summer’, Journal of Post-Colonial Cultures and Societies 1.1 (2010), pp. 11-21.
• Delrez, Marc, ‘Foreword’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 11-12.
• Delrez, Marc, ‘Programmatic Writing in Frame’s Autobiography’, in Janet Frame: The Lagoon & Other Stories and Beyond, ed. by Alice Braun and Claire Bazin (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V), pp. 79-95.
• Delrez, Marc, ‘The Literal and the Metaphoric: Paradoxes of Figuration in the Work of Janet Frame’, Commonwealth: Essays and Studies 33.2 (2011), pp. 10-20.
• Delrez, Marc, ‘Fossil Capacities in the Work of Janet Frame’, Journal of New Zealand and Pacific Studies 2.1 (2014), pp. 69-81.
• Delrez, Marc, ‘Embarrassment in the Posthumous Fiction of Janet Frame’, Journal of Postcolonial Writing 51.5 (2015), pp. 579-90.
• Delrez, Marc, ‘Janet Frame: Myths of Authorship, 1950-1990’, in A History of New Zealand Literature, ed. by Mark Williams (Cambridge: Cambridge University Press, 2016), pp. 167-81.
• Delrez, Marc, ‘From Jay to Bee to Daughter Buffalo: Outlining Ekphrasis in the Work of Janet Frame’, Journal of Postcolonial Writing 54.1 (2018), special issue on ‘Minor’ Genres in Postcolonial Literatures, ed. by Delphine Munos and Bénédicte Ledent, pp. 19-31.
• Dowling, David, ‘Brave New Worlds: Janet Frame’s Intensive Care and Hugh MacLennan’s Voices in Time’, World Literature Written in English 25 (1985), pp. 169-81.
• Dowrick, Stephanie, ‘Janet’s Pen Triumphs Over a Scalpel’, Sydney Morning Herald, 21 November 1985, p. 45.
• Drichel, Simone, ‘“Signposts to a World that Is Not Even Mentioned”: Janet Frame’s Ethical Transcendence’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 181-212.
• Dupont, Victor, ‘New Zealand Literature: Janet Frame and the Psychological Novel’, in Common Wealth, ed. by Anna Rutherford (Aarhus: Akademisk Boghandel, 1971), pp. 168-76.
• Dupont, Victor, ‘Editor’s Postscript’, Commonwealth: Miscellanies/Mélanges, ed. by Victor Dupont (Rodez: Subervie, 1974), pp. 175-76.
• Dupont, Victor, ‘Janet Frame’s Brave New World: Intensive Care, in Commonwealth Literature and the Modern World, ed. by Hena Maes-Jelinek (Brussels: Didier, 1975), pp. 157-67. Reprinted in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 104-14; and in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 149-60.
• During, Simon, ‘Postmodernism or Postcolonialism?’, Landfall 39.3 (1985), pp. 366-80.
• Dvorak, Marta, ‘Frame-Breaking: “Neither Separate Nor Complete Nor Very Important”’, Commonwealth: Essays and Studies 33.2 (2011), pp. 137-49.
• Dvorak, Marta, and Christine Lorre, ‘Introduction’, Commonwealth: Essays and Studies 33.2 (2011), special edition on Janet Frame: Short Fiction, ed. by Marta Dvorak and Christine Lorre, pp. 6-9.
• Edmond, Lauris, ‘Janet Frame: Writer’, Affairs, November 1972, pp. 10-11.
• Edmond, Lauris, ‘Late Talk’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), p. 38.
• Edmond, Rod, ‘“In Search of the Lost Tribe”: Janet Frame’s England’, in Other Britain, Other British: Contemporary Multicultural Fiction, ed. by A. Robert Lee (London: Pluto Press, 1995), pp. 161-73.
• Ensing, Riemke, ‘Janet Frame: Talking Treasure’, in New Zealand Literature Today, ed. by R.K. Dhawan and William Tonetto (New Delhi: Indian Society for Commonwealth Studies, 1993), pp. 73-85.
• Evans, Patrick, ‘Janet Frame and the Adaptable Novel’, Landfall 25.4 (1971), pp. 448-55.
• Evans, Patrick, ‘Alienation and the Imagery of Death: The Novels of Janet Frame’, Meanjin 32 (1973), pp. 294-303.
• Evans, Patrick, ‘The Provincial Dilemma, 3: New Zealand as Vietnam in Fiction; the World’s Wars in New Zealand’, Landfall 31 (1977), pp. 9-22.
• Evans, Patrick, ‘At the Edge of the Alphabet’, in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 53-62. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 82-91.
• Evans, Patrick, ‘Frame, Janet (Paterson)’, in Novelists and Prose Writers, ed. by James Vinson (London: Macmillan, 1979), pp. 420-22. Reprinted in Commonwealth Literature, ed. by James Vinson with an Introduction by William Walsh (London: Macmillan, 1979), pp. 85-87.
• Evans, Patrick, ‘Paradise or Slaughterhouse: Some Aspects of New Zealand Proletarian Fiction’, Islands 8 (1980), pp. 71-85.
• Evans, Patrick, ‘“Farthest from the Heart”: The Autobiographical Parables of Janet Frame’, Modern Fiction Studies 27.1 (1981), pp. 31-40.
• Evans, Patrick, ‘Living and Writing in the Maniototo’, SPAN: Journal of the South Pacific Association for Commonwealth Literature and Language Studies 18 (1984), pp. 76-88.
• Evans, Patrick, ‘Janet Frame and the Art of Life’, Meanjin 14.3 (1985), pp. 375-83.
• Evans, Patrick, ‘The Muse as Rough Beast: The Autobiography of Janet Frame’, Untold 6 (1986), pp. 1-10.
• Evans, Patrick, The Penguin History of New Zealand Literature (Auckland: Penguin, 1990), passim.
• Evans, Patrick, ‘The Case of the Disappearing Author’, Journal of New Zealand Literature 11 (1993), pp. 11-20.
• Evans, Patrick, ‘Dr. Clutha’s Book of the World: Janet Paterson Frame, 1924-2004’, Journal of New Zealand Literature 22 (2004), pp. 15-30.
• Evans, Patrick, ‘The “Frame Effect”’, New Zealand Books 14.2 (2004), pp. 13-14.
• Evans, Patrick, ‘Book of Frame’, New Zealand Listener, 5-11 May 2007, pp. 38-40.
• Evans, Patrick, ‘Reaching for Rilke’s Angel: Janet Frame’s Translations’, Journal of Post-Colonial Cultures and Societies, 1.1 (2010), pp. 22-33.
• Evans, Patrick, ‘The “Uncreating Word”: Janet Frame and “Mystical Naming”’, Journal of New Zealand Literature 28.1 (2010), pp. 61-85.
• Evans, Patrick, ‘“They Kill on Wednesdays”: Janet Frame, Modernity and the Holocaust’, Journal of Commonwealth Literature 46.1 (2011), pp. 83-101.
• Evans, Patrick, ‘Modernity and the Holocaust Counter-Memorial: Janet Frame’s American Fiction’, Journal of Commonwealth Literature 46.3 (2011), pp. 513-30.
• Farrell, Fiona, ‘Sharing in the Shadows’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 120-26.
• Fernández, Laura de la Parra, ‘Performing (In)sanity: Un-Doing Gender in Janet Frame’s An Angel at My Table’, The Grove: Working Papers on English Studies 23 (2016), pp. 35-45.
• Ferrier, Carole, ‘The Death of the Family in Some Novels by Women of the Forties & Fifties’, Hecate 2.2 (1976), pp. 48-61.
• Ferrier, Carole, ‘The Rhetoric of Rejection: Janet Frame’s Recent Work’, South Pacific Images, ed. by Chris Tiffin (Brisbane: Academy Press, 1978), pp. 196-203.
• Ferrier, Carole, ‘Preface’, in The Janet Frame Reader, ed. by Carole Ferrier (London: The Women’s Press, 1995), pp. 11-22.
• Ferrier, Carole, and Michael Coleman, ‘Janet Frame: A Preliminary Bibliography’, Hecate 3.2 (1977), pp. 88-106.
• Findley, Timothy, ‘Legends’, Landfall 40.2 (1986), pp. 327-32.
• Findley, Timothy, ‘Janet Frame – Life Force’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 173-74.
• Finney, Vanessa, ‘What Does “Janet Frame” Mean?’, Journal of New Zealand Literature 11 (1993), pp. 193-205.
• Fisiak, Tomasz, ‘Feminist Auto/Biography as a Means of Empowering Women: A Case Study of Sylvia Plath’s The Bell Jar and Janet Frame’s Faces in the Water’, Text Matters 1.1 (2011), pp. 183-97.
• Frizell, Helen, ‘Janet Frame, NZ’s Shy Genius’, Sydney Morning Herald, 19 December 1977, late edition, p. 7.
• Fry, Alexander, ‘Homage to Frame’, New Zealand Listener, 25 August 1984, p. 57.
• Gabrielle, Cindy, ‘The Poetics of Dissolution: The Representation of Maori Culture in Janet Frame’s Fiction’, Journal of Postcolonial Writing 46.2 (2010), pp. 209-20.
• Gabrielle, Cindy, ‘Fences of Being: The Child in the World in Janet Frame’s “A Note on the Russian War”, “Prizes” and “Royal Icing”’, Commonwealth: Essays and Studies 33.2 (2011), pp. 110-23.
• Gabrielle, Cindy, ‘“A Heart to Speak Of: Authorial Sacrifice in “Jan Godfrey” and Other Texts’, Commonwealth: Essays and Studies 34.2 (2012), pp. 71-80.
• Gabrielle, Cindy, ‘Janet Frame in East-West Encounters’: A Buddhist Exploration’, Journal of Postcolonial Writing 49.3 (2013), pp. 328-39.
• Gabrielle, Cindy, ‘“Nothing, Not a Scrap of Identity”: Janet Frame’s Vision of Self and Knowledge’, ARIEL: A Review of International English Literature 42.3 (2015), pp. 279-99.
• Gambaudo, Sylvie, ‘Melancholia in Janet Frame’s Faces in the Water’, Literature and Medicine 30.1 (2012), pp. 42-60.
• Gambaudo, Sylvie, ‘Citation and Intimacy in Janet Frame’s Autobiography’, in Scenes of Intimacy: Reading, Writing and Theorizing Contemporary Literature, ed. by Jennifer Cooke (London: Bloomsbury, 2013), pp. 57-72.
• Gambaudo, Sylvie, ‘Citation of Maternal Narrative: A Butlerian Reading of Janet Frame’s Autobiography’, Life Writing 10.3 (2013), pp. 295-309.
• Gardelle, Laure, ‘Instability and Construction of Identity in Janet Frame’s “Jan Godfrey”: A Linguistic Analysis’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 145-58.
• Gilbert, Emily, ‘Battles from Below: A Literature of Oppression’, GeoJournal 38.1 (January 1996), pp. 19-28.
• Golafshani, Leili, ‘Self as a “Migratory Bird”: Janet Frame’s Towards Another Summer’, Hecate 34.1 (2008), pp. 104-19.
• Goldblatt, Virginia, ‘The Address of the Massey University Orator on the Occasion of the Massey University Medal to Janet Frame – October 13, 1993’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 203-07.
• Gordon, Pamela, ‘The Writing of the Lagoon Stories’, Commonwealth: Essays and Studies 33.2 (2011), p. 159.
• Goulden, Mark, ‘Introspective Genius’, Listener [NZ], 9 December 1978, p. 24.
• Grace, Patricia, ‘Sun’s Marbles’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 99-104.
• Griffiths, Philip, ‘Janet Frame’s “Swans”’, Words: Wai-Te-Ata Studies in Literature 4 (1974), pp. 97-108.
• Guignery, Vanessa, ‘Is There a Story in Janet Frame’s The Lagoon and Other Stories?’, Etudes Anglaises 63.3 (2010), pp. 305-17.
• Guignery, Vanessa, ‘Janet Frame’s “Leafless Cloudy Secrets”: Of Blackbirds and Butterflies in The Lagoon and Other Stories’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 13-29.
• Gwynne, Joel, ‘Inertia Creeps: Hesitancy in Janet Frame’s Short Fiction’, Commonwealth: Essays and Studies, 29.2 (2007), pp. 7-18.
• Gwynne, Joel, ‘Janet Frame (1924-2004): “You Don’t Really Believe in Categories Like That, Do You?”’, in his The Secular Visionaries: Aestheticism and New Zealand Short Fiction in the Twentieth Century (Amsterdam & New York: Rodopi, 2010; Costerus New Series 186), pp. 107-46.
• Hankin, Cherry, ‘Language as Theme in Owls Do Cry’, Landfall 28 (1974), pp. 91-110. Reprinted in her Critical Essays on the New Zealand Novel (Auckland: Heinemann, 1976), pp. 88-104.
• Hankin, Cherry, ‘New Zealand Women Novelists: Their Attitudes Towards Life in a Developing Society’, World Literature Written in English 14 (1975), pp. 144-67.
• Hankin, Cherry, ‘Realism, Nationalism and the Double Scale of Values in the Criticism of New Zealand Fiction’, Landfall 32 (1978), pp. 293-303.
• Hannah, Donald W., ‘Janet Frame’, in Commonwealth Short Stories, ed. by Anna Rutherford and Donald W. Hannah (London: Arnold, 1971), pp. 148-50.
• Hannah, Donald W., ‘Faces in the Water: Case-History or Work of Fiction?’, in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 45-52. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 74-91.
• Hardy, Linda, ‘The Ghost of Katherine Mansfield’, Landfall 43.4 (1989), pp. 416-32.
• Harding, Bruce, ‘The Nativization of Feeling: Motifs of Bonding to the Past and to the Land in Janet Frame’s A State of Siege (1966) and The Carpathians (1988)’, Journal of New Zealand Literature 18-19 (2000), pp. 114-38.
• Harris, Wilson, ‘On the Beach’, Landfall 39.3 (1985), pp. 335-41.
• Harris, Wilson, ‘Scented Gardens for the Blind’, in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 63-67. Reprinted in Explorations: A Selection of Talks and Articles, 1966-1981, ed. by Hena Maes-Jelinek (Mundelstrup: Dangaroo Press, 1981), pp. 107-12; and in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 92-96.
• Harris, Wilson, ‘An Open Letter to Janet Frame’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 60-66.
• Hart, Alexander, and W.H. New, ‘Janet Frame: An Enumerative Bibliography to 1990’, in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 233-338.
• Heffernan, Julian Jimenez, and Gerardo Rodriguez Salas, ‘“When It’s Dark Outside”: Secrecy, Death and the Unworking of Community in Janet Frame’s The Lagoon and Other Stories’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 73-96.
• Henke, Suzette, ‘A Portrait of the Artist as a Young Woman’, SPAN 31 (1991), pp. 85-94.
• Henke, Suzette, ‘The Postmodern Frame: Metalepsis and Discursive Fragmentation in Janet Frame’s The Carpathians’, Australian and New Zealand Studies in Canada 5 (1991), pp. 29-38.
• Henke, Suzette, ‘Janet Frame’s New Zealand Autobiography: A Postcolonial Odyssey’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 14-38.
• ‘Highest NZ Royal Honours Awarded’, Dominion, 6 February 1990, pp. 1; 2.
• Holcroft, Monte, ‘Walking Delicately’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 12-14.
• Holcroft, M.H., Islands of Innocence: The Childhood Theme in New Zealand Fiction (Wellington: Reed, 1964), pp. 55-58.
• Horrocks, Roger, ‘Readings of A State of Siege (1967) and A State of Siege (1978)’, And 3 (1984), pp. 131-45.
• Huggan, Graham, ‘Resisting the Map as Metaphor: A Comparison of Margaret Atwood’s Surfacing and Janet Frame’s Scented Gardens for the Blind’, Kunapipi 11.3 (1989), pp. 5-15.
• Hulme, Keri, ‘Out of Frame’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 193-98.
• Hyman, Stanley Edgar, ‘Reason in Madness’, in Stanley Edgar Hyman, Standards: A Chronicle of Books of Our Time (New York: Horizon Press, 1966), pp. 239-43.
• Ingram, Penelope, ‘Can the Settler Speak? Appropriating Subaltern Silence in Janet Frame’s The Carpathians’, Cultural Critique 41 (1999), pp. 79-107.
• Jennings, Olivia, ‘Seeking Indigeneity: The Search for the “Lost Tribe” in Janet Frame’s The Edge of the Alphabet’, World Literature Written in English 38.2 (2000), pp. 80-93.
• Jodlowski, Nicole, ‘Les problèmes de la réalité et de l’identité dans l’oeuvre de Janet Frame’, Echos du Commonwealth 2 (1974), pp. 25-26.
• Jones, Dorothy, ‘The Hawk of Language and the Plain of Blood: Living in the Maniototo’, in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 177-87.
• Jones, Dorothy, ‘Flying Godwits and Migrating Kiwis: Towards Another Summer’, Kunapipi 29.2 (2007), pp. 11-21.
• Jones, Dorothy, ‘Overseas and Underground: Travel and Travellers in Janet Frame’s Fiction’, in Postcolonial Past & Present: Negotiating Literary and Cultural Geographies, ed. by Anne Collet and Leigh Dale (Leyden and Boston: Brill/Rodopi, 2019; Cross/Cultures 206), pp. 150-66.
• Jones, Joseph, and Johanna Jones, New Zealand Fiction (Boston: Twayne, 1983; Twayne’s World Authors series 643), pp. 53-56.
• Jones, Lawrence, ‘No Cowslip’s Bell in Waimaru: The Personal Vision of Owls Do Cry’, Landfall 24 (1970), pp. 280-96. Reprinted in Lawrence Jones, Barbed Wire and Mirrors: Essays on New Zealand Prose (Dunedin: University of Otago Press, 1987), pp. 175-85; 259.
• Jones, Lawrence, ‘The One Story, Two Ways of Telling, Three Perspectives: Recent New Zealand Literary Autobiography’, ARIEL: A Review of International English Literature 16.4 (1985), pp. 127-50.
• King, Adele, ‘Images of Women, Children and Family Life in some French Canadian and New Zealand Novels Written by Women’, Australian-Canadian Studies: An Interdisciplinary Social Science Review 2 (1984), pp. 64-69.
• King, Bruce, ‘The Adaptable Man’, in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Janet Frame (Aarhus: Dangaroo Press, 1978), pp. 80-88. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 110-19.
• King, Bruce, ‘Three Novels and Some Conclusions: Guerrillas, The Adaptable Man, Heat and Dust’, in his The New English Literatures: Cultural Nationalism in a Changing World (London: Macmillan, 1980), pp. 215-31; 241.
• King, Michael, ‘The Compassionate Truth’, Meanjin 61.1 (2002), pp. 24-34.
• Lambert, Alison, ‘Coverups and Exposure: Art and Ideology in The Carpathians’, Journal of New Zealand Literature 11 (1993), pp. 172-77.
• Lambert, Alison, ‘The Memory Flower, the Gravity Star, and the Real World: Janet Frame’s The Carpathians’, in New Zealand Literature Today, ed. by R.K. Dhawan and William Tonetto (New Delhi: Indian Society for Commonwealth Studies, 1993), pp. 102-20.
• Lawn, Jennifer, ‘The Many Voices of Owls Do Cry: A Bakhtinian Approach’, Journal of New Zealand Literature 8 (1990), pp. 87-105.
• Lawn, Jennifer, ‘Docile Bodies: Normalization and the Asylum in Owls Do Cry’, Journal of New Zealand Literature 11 (1993), pp. 178-87.
• Lawn, Jennifer, ‘Redemption, Secrecy, and the Hermeneutic Frame in Janet Frame’s Scented Gardens for the Blind’, ARIEL: A Review of International English Literature 30.3 (1999), pp. 105-26.
• Lawn, Jennifer, ‘Playing with Freud: Radical Narcissism and Intertextuality in Frame’s Intensive Care and Daughter Buffalo’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 24-47.
• Lecercle, Jean-Jacques, ‘Folie et Littérature: de Foucault à Janet Frame’, La Licorne 55 (2000), pp. 293-304.
• Leiter, Robert, ‘Reconsideration: The Novels of Janet Frame’, New Republic, 31 May 1975, pp. 21-22.
• Lorre, Christine, ‘The Tropes and Territories of Childhood in The Lagoon and Other Stories by Janet Frame’, in Tropes and Territories: Short Fiction, Postcolonial Readings, Canadian Writing in Context, ed. by Marta Dvorak & W. H. New (Montreal & Kingston: McGill-Queen’s University Press, 2007), pp. 247-70.
• Lorre, Christine, ‘Narrative Voice and the Making of Self: A Study of Janet Frame’s The Lagoon and Other Stories’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 125-44.
• Lorre, Christine, ‘Secrets in The Lagoon and Other Stories by Janet Frame’, Commonwealth: Essays and Studies 33.2 (2011), pp. 87-97.
• Lorre, Christine, ‘The Unspoken in The Lagoon and Other Stories’, in Janet Frame: The Lagoon & Other Stories and Beyond, ed. by Alice Braun and Claire Bazin (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V), pp. 47-60.
• Lowrey, Rebecca, ‘“An Adolescent Homelessness of Self”: The Representation of the Menarche in Janet Frame’s To the Is-land”, in Masks, Tapestries, Journeys: Essays in Honour of Dorothy Jones, ed. by Gerry Turcotte (Wollongong: University of Wollongong Press, 1996), pp. 193-207.
• MacLennan, Carol, ‘Dichotomous Values in the Novels of Janet Frame’, Journal of Commonwealth Literature 22.1 (1987), pp. 179-89.
• MacLennan, Carol, ‘Myths and Masks in Two of Janet Frame’s Novels’, Kunapipi 9.2 (1987), pp. 105-13.
• MacLennan, Carol, ‘Conformity and Deviance in the Fiction of Janet Frame’, Journal of New Zealand Literature 6 (1988), pp. 190-201.
• McCormick, E.H., New Zealand Literature: A Survey (London: Oxford University Press, 1959), pp. 159-61.
• McEldowney, Dennis, ‘Recent Literary Biography’, Journal of New Zealand Literature 2 (1984), pp. 47-58.
• McEldowney, Dennis, ‘Report on Janet Frame’, Listener [NZ], 17 June 1989, p. 79.
• McLeod, Aorewa, ‘Private Lives and Public Fictions’, in Public & Private Worlds: Women in Contemporary New Zealand, ed. by Shelagh Cox (Wellington: Allen & Unwin/Port Nicholson Press, 1987), pp. 67-81; 218-19.
• McLeod, Marion, ‘Strong Mood’, Listener [NZ], 29 August 1987, p. 86.
• McLeod, Marion, ‘The Language of the Is-Land’, Listener [NZ], 8 October 1990, pp. 102-03.
• McNaughton, Howard, ‘Abjection, Melancholy, and the End Note: The Epilogue to Owls Do Cry’, Journal of New Zealand Literature 11 (1993), pp. 89-105.
• McNeish, James, ‘Letter from New Zealand: A New Generation of Writers’, Washington Post: Book World, 20 July 1986, p. 15.
• McQuail, Josephine A., ‘“How Can Life Be Still?”: Teaching Janet Frame’s A State of Siege and Virginia Woolf’s To the Lighthouse’, Antipodes 29.1 (2015), pp. 57-70.
• McQuail, Josephine A., ‘Janet Frame’s New Gothic: Language in A State of Siege’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 171-86.
• McQuail, Josephine A., ‘Men Without Women: Daughter Buffalo and Female Victimization’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 127-43.
• Mahy, Margaret, ‘A Frame of Mind and Memory’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 88-90.
• Make, Jennifer Boum, ‘Lagoonization: Aesthetics of Insularity and Porosity in The Lagoon and Other Stories’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 95-108.
• Malterre, Monique, ‘La Recherche de l’Identité dans A State of Siege de Janet Frame’, Etudes Anglaises 25.2 (1972), pp. 232-44.
• Malterre, Monique, ‘Myths and Esoterics: A Tentative Interpretation of A State of Siege’, Commonwealth: Essays and Studies 2 (1976), pp. 107-12. Reprinted in Bird, Hawk, Bogie: Essays on Janet Frame ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 89-93; and in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 120-25.
• Manhire, Bill, ‘Remarkables’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), p. 113.
• Mantel, Hilary, ‘Introduction’, in Janet Frame, Faces in the Water (London: Virago, 2009), pp. vii-xiv.
• Mattei, Anna Grazia, ‘“Two Sheep”: A Fable’, in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 54-62.
• Mattei, Anna Grazia, ‘Exploring the Is-Land’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 175-81.
• Mazlin, Cyrena, ‘Returned Soldiers in Owls Do Cry, A State of Siege, and The Carpathians: Janet Frame’s Subversive Representations’, Antipodes 28.2 (2014), pp. 327-38.
• Mazlin, Cyrena, ‘A Soldier’s Daughter: The Autobiographies and Autobiographical Fiction of Janet Frame and Doris Lessing’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 39-61.
• Meikle, Phoebe, ‘Inside and Outside Views: Women Short Story Writers’, Landfall 33 (1979), pp. 110-17.
• Mercer, Gina, ‘The Edge of the Alphabet. Journey: Destination Death’, Australian and New Zealand Studies in Canada 5 (1991), pp. 39-57.
• Mercer, Gina, ‘Exploring “the Secret Caves of Language”: Janet Frame’s Poetry’, Meanjin 44.3 (1985), pp. 384-90.
• Mercer, Gina, ‘“A Simple Everyday Glass”: The Autobiographies of Janet Frame’, Journal of New Zealand Literature 11 (1993), pp. 41-48.
• Merli, Carol, and Kay Torney, ‘Dangerous Margins: The Body and Art in Janet Frame’s Autobiographies’, Women’s Studies 27 (1997), pp. 63-83.
• Michell, Isabel, ‘The Maternal as Site of Possibility in Janet Frame’s “Fictional Exploration”’, Journal of New Zealand Literature 27 (2009), pp. 90-110.
• Michell, Isabel, ‘“Turning the Stone of Being”: Janet Frame’s Migrant Poetic’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 107-31.
• Moorhouse, Geoffrey, ‘Out of New Zealand’, Guardian, 16 November 1962, p. 9.
• Moran, Patricia, ‘Foreword’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 1-6.
• Morand, Manon-Lili, ‘Fiction and Freedom: Janet Frame’s Commitment’, Commonwealth: Essays and Studies 38.1 (2015), pp. 21-31.
• Morand, Manon-Lili, ‘Distanciation or the Poetry of Loneliness in Towards Another Summer’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 144-57.
• Mortelette, Ivane, ‘“A Proof That I Did Exist”: Janet Frame and Photography’, Journal of New Zealand Literature 24.1 (2006), pp. 94-114.
• Mortelette, Ivane, ‘“Burgled of Body”: Corps et Identité chez Janet Frame’, in L’écriture du corps dans la littérature féminine de langue anglaise, ed. by Claire Bazin and Marie-Claude Perrin-Chenour (Nanterre: Publidix, 2007), pp. 123-34.
• Mortelette, Ivane, ‘Nouvelle-Zélande sur arrière-fond discriminatoire : Le point de vue de Janet Frame’, Cultures of the Commonwealth 14 (Winter 2007-08), pp. 87-94.
• Mortelette, Ivane, ‘L’arrière-plan culturel et littéraire de The Lagoon and Other Stories’, in Janet Frame: The Lagoon & Other Stories and Beyond, ed. by Alice Braun and Claire Bazin (Nanterre: Université Paris Ouest Nanterre La Défense, 2011; Textes & Genres V), pp. 33-45.
• Mouzet, Aurelia, ‘Deriding the I: Tales of Darkness and Laughter in An Angel at My Table’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 62-81.
• Neville, Jill, ‘Janet Frame’s Escape from the Institution’, Sunday Times, 14 October 1984, p. 42.
• New, Bill, Among Worlds: An Introduction to Modern Commonwealth and South African Fiction (Erin, ON: Press Porcépic, 1975), pp. 149-54.
• New, Bill, ‘An Annotated Checklist of Critical Writings on Janet Frame’, in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 130-37.
• New, Bill, ‘The Frame Story World of Janet Frame’, in Essays in Honour of Clara Thomas, ed. by Michael Darling and John Lennox; special issue of Essays on Canadian Writing 29 (1984), pp. 175-91.
• New, Bill, ‘Frame, Janet (Paterson)’, Contemporary Novelists, ed. by D.L. Kirkpatrick (London: St. James Press, 1986; 4th edition), pp. 306-308.
• New, Bill, ‘Glimpses: Shadow, Pool’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 39-42.
• New, Bill, ‘S(words)tories’, Commonwealth: Essays and Studies 33.2 (2011), pp. 33-42.
• New, Bill, and H. J. Rosengarten, ‘Headnote to “The Mythmaker’s Office”’, in Modern Stories in English, ed. by Bill New and H.J. Rosengarten (New York: Crowell, 1975; Toronto: Copp Clark, 1975), p. 88.
• Norton, David, ‘Life on the Edge of Death: Janet Frame’s “Winter Garden”, Joy Cowley’s “The Silk” and Maurice Gee’s “A Glorious Morning, Comrade”’, Climate 29 (1979), pp. 54-67.
• O’Brien, Gregory, ‘Janet Frame: Explorations’, in his Moments of Invention: Portraits of 21 New Zealand Writers, with photographs by Robert Cross (Birkenhead: Heinemann Reed, 1988), pp. 38-44; 149-50.
• O’Brien, Gregory, ‘Drinking Tea Because of You’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 79-87.
• O’Brien, Susie, ‘”Little Ole Noo Zealand”: Representations of NZ-US Relations in Janet Frame’s The Carpathians’, Kunapipi 15.1 (1993), pp. 94-102.
• Oettli-van Delden, Simone, ‘Janet Frame’s Conceptualization of the Writing Process: From The Lagoon to Mirror City’, Commonwealth: Essays and Studies 33.2 (2011), pp. 98-109.
• Oikkonen, Venla, ‘Mad Embodiments: Female Corporeality and Insanity in Janet Frame’s Faces in the Water and Sylvia Plath’s The Bell Jar’, Helsinki English Studies: Electronic Journal 3 (2004).
• O’Sullivan, Vincent, ‘Exiles of the Mind: The Fictions of Janet Frame’, in A Sense of Exile: Essays in the Literature of the Asia Pacific Region, ed. by Bruce Bennett (Nedlands: Centre for Studies in Australian Literature, University of Western Australia, 1988), pp. 181-87. Reprinted in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 24-30.
• Panny, Judith Dell, ‘Opposite and Adjacent to the Postmodern in Living in the Maniototo’, in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 188-98.
• Panny, Judith Dell, ‘A Hidden Dimension in Janet Frame’s Fiction’, Journal of New Zealand Literature 11 (1993), pp. 59-70.
• Panny, Judith Dell, ‘Two Poems for Janet’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 146-47.
• Parey, Armelle, ‘Closure and Happy Endings in Janet Frame’s The Lagoon and Other Stories’, Miranda [Online] 8 (2013).
• Parker, Emma, ‘Imperial Debris in Janet Frame’s To the Is-Land (1982)’, Life Writing 17.4 (2020), pp. 483-91.
• Paulin, Catherine, ‘L’implicite dans “Swans” de Janet Frame: lecture linguistique’, in L’implicite dans la nouvelle de langue anglaise, ed. by Laurent Lepaludier (Rennes: Presses universitaires de Rennes, 2005), pp. 43-55.
• Perry, Nick, ‘Flying by Nets: The Social Pattern of New Zealand Fiction’, Islands 3 (1987), pp. 161-77.
• Petch, Simon, ‘Janet Frame and the Languages of Autobiography’, Australian and New Zealand Studies in Canada 5 (1991), pp. 58-71.
• Petch, Simon, ‘Speaking for Herselves: The Autobiographical Voices of Janet Frame’, Southerly 54.4 (1994), pp. 44-58.
• Pires, Ana, ‘Loucura, Sagrado e Poesia: A Obra Autobiográfica de Janet Frame à Luz de Julia Kristeva’, e-cadernos CES 14 (2011), pp. 165-78.
• Platz, Norbert H., ‘Janet Frame’s Novels and the Disconcert in the Reader’s Mind’, in Imagination and the Creative Impulse in the New Literatures in English, ed. by Maria Teresa Bindella and Geoffrey V. Davis (Amsterdam & New York: Rodopi, 1993; Cross/Cultures 9), pp. 203-17.
• Potter, Nancy, ‘Janet Frame’, in International Literature in English: Essays on the Major Writers, ed. by Robert L. Ross (New York: Garland, 1991), pp. 547-56.
• Prentice, Chris, ‘Janet Frame’s Radical Thought: Symbolic Exchange and Seduction in Living in the Maniototo and The Carpathians’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 155-80.
• Quintais, Ana Pires, ‘Loucura, Sagrado e Poesia: A obra autobiográfica de Janet Frame à luz de Julia Kristeva’, e-cadernos CES 14 (2011), pp. 165-78.
• Rathgen, Elody, ‘A Woman on her Own’, in Women’s Studies: Conference Papers ’83, ed. by Hilary Haines (Auckland: Women’s Studies Association, 1984), pp. 113-18.
• Reid, Tony, ‘Janet Frame Framed!’, New Zealand Woman’s Weekly, 5 August 1985, pp. 60-62.
• Reif-Hülser, Monika, ‘“Glass Beads of Fantasy” – Janet Frame’s Faces in the Water, or: The Enigma of Identity’, REAL: Yearbook of Research in English and American Literature 12 (1996), pp. 179-202.
• Rhodes, H. Winston, ‘An Approach to Janet Frame’, in his New Zealand Novels: A Thematic Approach (Wellington: New Zealand University Press/Price Milburn, 1969; Studies in New Zealand Literature), pp. 69-71.
• Rhodes, H. Winston, ‘Janet Frame’, in his New Zealand Fiction since 1945: A Critical Survey of Recent Novels and Short Stories (Dunedin: John McIndoe, 1968), pp. 27-30; 61.
• Rhodes, H. Winston, ‘Janet Frame: A Way of Seeing in The Lagoon and Other Stories’, in Critical Essays on the New Zealand Short Story, ed. by Cherry Hankin (Auckland: Heinemann, 1982), pp. 112-131.
• Rhodes, H. Winston, ‘Preludes and Parables: A Reading of Janet Frame’s Novels’, Landfall 26.2 (1972), pp. 135-46.
• Ribault, Nadine, Postscript to Janet Frame, Le Lagon et Autres Nouvelles, trans. Jean Anderson and Nadine Ribault (Paris: Des Femmes-Antoinette Fouque, 2006), pp. 201-14.
• Richards, Harriette, ‘Janet Frame’s Autobiographical Frock Consciousness’, Australian Feminist Studies 37.111 (2022), pp. 21-36.
• Richards, Ian, ‘The Facts of Life: Janet Frame’s “The Bath”’, Journal of New Zealand Literature 18-19 (2000), pp. 173-81.
• Richards, Ian, ‘Janet Frame’s Songs of Innocence and Experience: “A Note on the Russian War”’, Studies in the Humanities 58.3 (2007), pp. 125-36.
• Richards, Max, ‘The Janet Frame Question’, Quadrant (April 2001), pp. 48-52.
• Rideout, Jennifer, ‘Illumination and the Silver Palm: The Pattern of Three and the Quest for Identity in The Edge of the Alphabet’, in Janet Frame in Focus: Women Analyze the Works of the New Zealand Writer, ed. by Josephine A. McQuail (Jefferson, NC: McFarland, 2018), pp. 158-70.
• Roberts, Heather, ‘Two Cultural Attitudes to Death’, Landfall 33.1 (1979), pp. 21-29.
• Roberts, Heather, ‘The Inner World’, in her Where Did She Come From? New Zealand Women Novelists, 1862-1987 (Wellington: Allen & Unwin/Port Nicholson Press, 1989), pp. 130-43.
• Robertson, Nan, ‘Academy Honors Creative Artists’, New York Times, 22 May 1986, late city ed., p. C19.
• Robertson, R.T., ‘Bird, Hawk, Bogie: Janet Frame, 1952-1962’, Studies in the Novel 4.2 (1972), pp. 186-99. Reprinted in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 15-23; and in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 31-40.
• Rochette-Crawley, Susan, ‘Janet Frame’, in A Reader’s Companion to the Short Story in English, ed. by Eric Fallon et al (Westport, CT: Greenwood Press, 2001), pp. 162-66.
• Rockel, Angela, ‘Meeting the Angel’, Southerly 62.3 (2002), pp. 8-18.
• Rodríguez Salas, Gerardo, ‘When Strangers Are Never At Home: A Communitarian Study of Janet Frame’s The Carpathians’, in Community in Twentieth-Century Fiction, ed. by Paula Martín Salván, Gerardo Rodríguez Salas, and Julián Jiménez Heffernan (London: Palgrave, 2013), pp. 159-76.
• Rodríguez Salas, Gerardo, ‘”Nowhere to Bury the Dead”: Finitude, Nationalism and Artistic Communities in Janet Frame’s Living in the Maniototo’, Journal of New Zealand and Pacific Studies 4.2 (December 2016), pp. 169-83.
• Rodríguez Salas, Gerardo, ‘New Zealand or Nowheresville: Nation and Community in Janet Frame’s Living in the Maniototo’, Antipodes 30.2 (2016), pp. 280-93.
• Rodríguez Salas, Gerardo, and Julián Jiménez Heffernan, ‘”When It’s Dark Outside”: Secrecy, Death and the Unworking of Community in Janet Frame’s The Lagoon and Other Stories’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 73-96.
• Ross, Frances, ‘Queen Invests Frame and Curnow’, Dominion, 15 February 1990, p. 3.
• Ross, Robert, ‘Linguistic Transformation and Reflection in Janet Frame’s Living in the Maniototo’, World Literature Written in English 27.2 (1987), pp. 320-26.
• Roy, Michaël, ‘“Or Were You Ever Free”: Enclosure and Escape in Janet Frame’s The Lagoon and Other Stories’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 109-23.
• Rutherford, Anna, ‘Janet Frame’s Divided and Distinguished Worlds’, World Literature Written in English 14 (1975), pp. 51-68. Reprinted in Bird, Hawk, Bogie: Essays on Janet Frame, ed. by Jeanne Delbaere (Aarhus: Dangaroo Press, 1978), pp. 24-34; and in The Ring of Fire: Essays on Janet Frame, ed. by Jeanne Delbaere (Sydney & Mundelstrup: Dangaroo Press, 1992), pp. 41-52.
• Rutherford, Anna, ‘Frame, Janet’, in Encyclopedia of World Literature in the 20th Century; Volume 2, ed. by Leonard S. Klein (New York: Ungar, 1982), pp. 127-28.
• Sambamoorthy, Ahila, ‘“The Fantastic” as a Mode of Writing in Janet Frame’s Stories’, Deep South 3.2 (1997).
• Sambamoorthy, Ahila, ‘Visionary Experience in Daughter Buffalo (1972)’, Deep South 3.3 (1997).
• Sambamoorthy, Ahila, ‘One Angle of Approach to Janet Frame’s Yellow Flowers in the Antipodean Room (1967): The Death-to-Life Conundrum’, Deep South 4.1 (1998).
• Sanchez Mosquera, Ana Maria, ‘Un/Writing the Body: Janet Frame’s An Angel at My Table’, Commonwealth Novel in English 9-10 (2001), pp. 218-41.
• Sarabando, Andreia, ‘“The Dreadful Mass Neighbourhood of Objects” in the Fiction of Janet Frame’, Journal of Postcolonial Writing, 51.5 (2015), pp. 603-14.
• Sargeson, Frank, ‘Janet Frame: The Lagoon’, in Conversation in a Train and Other Critical Writing: Frank Sargeson, ed. by Kevin Cunningham (Auckland: Auckland University Press, 1983), pp. 66-67.
• Schwartz, Susan, ‘Dancing in the Asylum: The Uncanny Truth of the Madwoman in Janet Frame’s Autobiographical Fiction’, ARIEL: A Review of International English Literature 27.4 (1996), pp. 113-27.
• Scopes, Eve, ‘Re-Visioning Daughter Buffalo’, Journal of New Zealand Literature 11 (1993), pp. 144-51.
• Segerberg, Anita, ‘Nyzeeländsk Litteratur’, BLM-Bonniers Litterära Magasin 51 (1982), pp. 325-33.
• Sestigiani, Sabina, ‘L’autobiografia di Janet Frame: “il sognabile” di un’esistenza’, Il Lettore di Provincia [Ravenna, Italy] 106 (1999), pp. 79-91.
• Smaill, Anna, ‘Beyond Analogy: Janet Frame and Existential Thought’, in Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 67-88.
• Smaill, Anna, ‘The Apocalyptic Fiction of Janet Frame’, Journal of New Zealand Literature 36.2 (2019), pp. 70-83.
• Smith, Shona, ‘Fixed Salt Beings: Isms and Living in the Maniototo’, Untold 5 (1986), pp. 24-32.
• Smith, Shona, ‘Still Suppressing…: Reviewers & Daughter Buffalo’, Untold 8 (1987), pp. 38-41.
• Stafford, Jane, and Mark Williams, ‘Janet Frame’s Peopled Pastures’, Moving Worlds: A Journal of Transcultural Writings 4.2 (2004), pp. 25-36.
• Stead, C.K., ‘Frame, Janet’, Contemporary Poets, ed. by James Vinson and D.L. Kirkpatrick (London: St. James Press, 1975), p. 276.
• Stead, C.K., ‘Janet Frame: Language is the Hawk’, in his In the Glass Case: Essays on New Zealand Literature (Auckland: Auckland University Press, 1981), pp. 130-36.
• Stead, C.K., ‘Of Angels and Oystercatchers: A Diary in the Third Person for Janet Frame’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 43-59.
• Stead, C.K., ‘Janet Frame, Janet Clutha and Karl Waikato’, Landfall 198 (November 1999), pp. 217-32.
• Stead, C.K., ‘Janet Frame, In the Memorial Room’, in Katherine Mansfield and World War One, ed. by Gerri Kimber, Todd Martin, Delia da Sousa Correa, Isobel Maddison and Alice Kelly (Edinburgh: Edinburgh University Press, 2015), pp. 171-78.
• Stein, Karen F., ‘The Dark Laughter of Janet Frame’, Pacific Quarterly Moana 9 (1985), pp. 41-47.
• Stevens, Joan, ‘The Art of Janet Frame’, Listener [NZ], 4 May 1970, pp. 13; 52.
• Stevens, Joan, The New Zealand Novel 1860-1960 (Wellington: Reed, 1961), pp. 98-100; 121-25.
• Stevens, Joan, The New Zealand Novel 1860-1965 (Wellington: Reed, 1966, pp. 98-100; 126-29; 137-41.
• Sutherland, Valerie, ‘Postmodernist Strategies in Janet Frame’s Scented Gardens for the Blind’, in New Zealand Literature Today, ed. by R.K. Dhawan and William Tonetto (New Delhi: Indian Society for Commonwealth Studies, 1993), pp. 121-34.
• Sutherland, Valerie, ‘A Ventriloquist in the House of Replicas: A Reading of The Carpathians’, Journal of New Zealand Literature 11 (1993), pp. 106-13.
• Thieme, John, ‘“Making Chalk Marks on Water”: Time and the Sea in Janet Frame’s Faces in the Water and “The Lagoon”’, Commonwealth: Essays and Studies 33.2 (2011), pp. 78-86.
• Tiger, Virginia, ‘“The Grammar of Journey”: Doris Lessing and Janet Frame’, Doris Lessing Newsletter 7.1 (1983), pp. 11-12.
• Tinkler, Alan, ‘Janet Frame’, Review of Contemporary Fiction 24.2 (2004), pp. 89-124.
• Tollance, Pascale, ‘Screens in Janet Frame’s “The Secret”’, Commonwealth: Essays and Studies 35.1 (2012), pp. 29-36.
• Tunca, Daria, ‘Paying Attention to Language, Replicas, and the Role of the Artist in Janet Frame’s Living in the Maniototo’, Journal of Postcolonial Writing 42.1 (2006), pp. 32-43.
• Unsworth, Jane, ‘Why Does an Author Who Apparently Draws So Much on Autobiography Seem Committed to “Alienating” the Reader? A Reflection on Theories of Autobiography with Reference to the Work of Janet Frame’, in The Uses of Autobiography, ed. by Julia Swindells (London: Taylor and Francis, 1995), pp. 24-30.
• Varela-Zapata, Jesús, ‘The Quest for Identity as a Pattern of Postcolonial Voices’, in Bodies and Voices: The Force-Field of Representation and Discourse in Colonial and Postcolonial Studies, ed. by Merete Falck Borch, Eva Rask Knudsen, Marin Leer and Bruce Clunies Ross (Amsterdam & New York: Rodopi, 1999; Cross/Cultures 94), pp. 413-31.
• Ventura, Héliane, ‘Haunted by a Fantasy of Immortality: “Spirit” by Janet Frame’, Commonwealth: Essays and Studies 35.1 (2012), pp. 55-61.
• Victor, Jean-Marc, ‘Placing the Voice: A Note on “A Note on the Russian War” by Janet Frame’, in Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories, ed. by Vanessa Guignery (Paris: Publibook, 2011), pp. 57-71.
• Vincent, Rosemary, ‘Janet Frame in Nobel List’, Times [NZ], 29 May 1983, p. 19.
• Wächter, Cornelia, ‘Migrating Between (Mental) States: Janet Frame’s Towards Another Summer’, in Explorations and Extrapolations: Applying English and American Studies, ed. by Alexander Brock, Uwe Küchler and Anne Schröder (Münster: LIT, 2011; Hallenser Studien zur Anglistik und Amerikanistik 14), pp. 211-33.
• Webby, Elizabeth, ‘The Uses of Fiction, Some Recent Novels from the South Pacific Region’, in The Given Condition: Essays in Post-Colonial Literatures, ed. by Peter Simpson, special issue of SPAN: Newsletter of the South Pacific Association for Commonwealth Literature and Language Studies 21 (1985), pp. 29-37.
• Webby, Elizabeth, ‘On First Reading Janet Frame’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 34-37.
• Weiss, Allan, ‘The Form and Function of the Modern Fable in Janet Frame’s Short Stories’, Commonwealth: Essays and Studies 33.2 (2011), pp. 43-55.
• Wersba, Barbara, ‘On Discovering Janet Frame’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 163-65.
• West, Patrick L., ‘The Lacanian Real and Janet Frame’s Living in the Maniototo’, in New Zealand Literature Today, ed. by R.K. Dhawan and William Tonetto (New Delhi: Indian Society for Commonwealth Studies, 1993), pp. 86-101.
• West, Patrick L., ‘Theoretical Allegory/Allegorical Theory: (Post-)Colonial Spatializations in Janet Frame’s The Carpathians and Julia Kristeva’s The Old Man and the Wolves’, Journal of New Zealand Literature 26 (2008), pp. 73-94.
• Wevers, Lydia, ‘Changing Directions: The Short Story in New Zealand’, Meanjin 44 (1985), pp. 352-56.
• Wevers, Lydia, ‘Self Possession: “Things” and Janet Frame’s Autobiography’, Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), pp. 51-65.
• Wevers, Lydia, ‘“A Girl Who Is Not Me”’, Commonwealth: Essays and Studies 33.2 (2011), pp. 56-65.
• Wikse, Maria, ‘Queer-Feminist, Feminist-Queer or Feminist and Queer: Reading Janet Frame’s Living the Maniototo’, in Approaches to Narrative Fiction, ed. by Jon Buscall and Outi Pickering (Turku: Anglicana Turkuensia, 1999), pp. 93-108.
• Williams, Mark, ‘Janet Frame’s Suburban Gothic’, in his Leaving the Highway: Six Contemporary New Zealand Novelists (Auckland: Auckland University Press, 1990), pp. 30-56; 217-19.
• Williams, Mark, ‘Janet Frame (1924-2004)’, Journal of Commonwealth Literature 39.2 (2004), pp. 121-24.
• Williams, Mark, ‘“Tending the Ovens”: Janet Frame’s Politics of Language’, Commonwealth: Essays and Studies 33.2 (2011), pp. 66-77.
• Williamson, May, ‘Janet Frame: NZ Writer’, Northland: A Regional Magazine, July 1963, pp. 5-7; 9; 11.
• Wilson, Janet, ‘Post-Modernism or Post-Colonialism? Fictive Strategies in Living in the Maniototo and The Carpathians’, Journal of New Zealand Literature 11 (1993), pp. 114-31.
• Wilson, Janet, ‘Intertextual Strategies: Reinventing the Myths of Aotearoa in Contemporary New Zealand Fiction’, in Across the Lines: Intertextuality and Transcultural Communication in the New Literatures in English, ed. by Wolfgang Klooss (Amsterdam & New York: Rodopi, 1998; Cross/Cultures 32), pp. 271-90.
• Wilson, Janet, ‘The Inner World: Living in Janet Frame’s Maniototo’, in Routes of the Roots: Geography and Literature in the English-Speaking Countries, ed. by Isabella Maria Zoppi (Rome: Bulzoni, 1998), pp. 631-49.
• Wilson, Janet, ‘Teaching the New Zealand Novel: Prose-Poetry and the Ideology of the “Third Way”’, in Crabtracks: Progress and Process in Teaching the New Literatures in English, ed. by Gordon Collier and Frank Schulze-Engler (Amsterdam & New York: Rodopi, 2002; Cross/Cultures 59), pp. 305-20.
• Wilson, Janet, ‘New Zealand Literary Nationalism and the Transcultural Future, or: Will the Centre Hold?’, in Towards a Transcultural Future: Literature and Society in a ‘Post’-Colonial World, ed. by Geoffrey V. Davis, Peter H. Marsden, Bénédicte Ledent and Marc Delrez (Amsterdam & New York: Rodopi, 2004; Cross/Cultures 9), pp. 119-33.
• Wilson, Janet, ‘The Lagoon and Other Stories: Storytelling, Metafiction and the Framean Text’, Commonwealth: Essays and Studies 33.2 (2011), pp. 124-36.
• Wilson, Janet, ‘Janet Frame: Ten Years On’, Journal of Postcolonial Writing 51.5 (2015), pp. 574-78.
• Wilson, Philip, ‘From Eden Street to the Maniototo’, in The Inward Sun: Celebrating the Life and Work of Janet Frame, ed. by Elizabeth Alley (Wellington: Daphne Brasell, 1994), pp. 128-32.
• Wolfe, Kary K., and Gary K. Wolfe, ‘Metaphors of Madness: Popular Psychological Narratives’, Journal of Popular Culture 9 (1975-76), pp. 895-907.
• Zirnitis, Peteris, ‘Poetry Novoi Zelandii’, Molodaia Gvardiia: Ezhemesiachnyi Litteraturno-Khudozhestvennyi I Obschestvenno-Politicheskii Zhurnal 8 (1984), pp. 204-14.
• Zoppi, Isabella Maria, ‘The Magical Reality of Memory: Janet Frame’s The Carpathians’, Coterminous Worlds: Magical Realism and Contemporary Post-Colonial Literature in English, ed. by Elsa Linguanti, Francesco Casotti and Carmen Concilio (Amsterdam & New York: Rodopi, 1999; Cross/Cultures 39), pp. 151-70.

 

Books Reviews

• Sargeson, Frank, ‘A New Light’, review of The Lagoon: Stories, Listener [NZ], 18 April 1952, pp. 12-13. Reprinted as ‘Janet Frame: The Lagoon’, in Conversation in a Train and Other Critical Writings: Frank Sargeson, ed. by Kevin Cunningham (Auckland: Auckland University Press, 1983), pp. 66-67.
• Guest, Patricia, review of The Lagoon: Stories, Landfall 6.2 (1952), pp. 152-53.
• Corman, Cid, review of The Lagoon: Stories, Books Abroad 27.4 (Autumn 1953), p. 434.
• Bystander, review of The Lagoon and Other Stories, New Zealand Monthly Review, December 1961, pp. 23-24.

• Hall, David, ‘Vigour and Power’, review of Owls Do Cry, Listener [NZ], 31 May 1957, p. 12.
• Review of Owls Do Cry, New Zealand Free Lance, 7 June 1957, p. 2.
• ‘N.Z. Author’s Novel Will Not Be Forgotten Easily’, review of Owls Do Cry, Evening Post [Wellington, NZ], 22 June 1957 (late edition), p. 22.
• Mence, Sybil, ‘Great Novel about New Zealand Life’, review of Owls Do Cry, Canta [University of Canterbury, Christchurch, NZ], 19 July 1957, p. 5.
• Duggan, Maurice, review of Owls Do Cry, Here and Now, September 1957, pp. 29-30.
• Mason, Bruce, review of Owls Do Cry, Education [Wellington, NZ] 6.3 (1957), p. 64-66.
• Rhodes, H. Winston, review of Owls Do Cry, Landfall 11 (1957), pp. 327-31.
• Review of Owls Do Cry, Numbers [NZ] 8 (1958), pp. 59-62.
• Grattan, C. Hartley, ‘Tawdry Lilies’, review of Owls Do Cry, New York Times Book Review, 31 July 1960, p. 22.
• Bullock, Florence Haxton, ‘A Glow within the Squalor’, review of Owls Do Cry, New York Herald Tribune: Book Review, 4 August 1960, p. 4.
• Review of Owls Do Cry, New Yorker, 13 August 1960, pp. 103-04.
• Cosman, Max, ‘Lives Out of Sight’, review of Owls Do Cry, New Leader [USA], 3 October 1960, p. 29.
• Parker, Dorothy, review of Owls Do Cry, Esquire, April 1961, pp. 40; 42.
• Mayne, Richard, ‘No Garden Party’, review of Owls Do Cry, New Statesman, 14 July 1961, p. 61.
• Cooper, William, ‘Keeping an Eye on the Reader’, review of Owls Do Cry, Sunday Times [London, UK], 16 July 1961, p. 25.
• Wilson, Colin, ‘Taking On a Giant’, review of Owls Do Cry, Sunday Telegraph [London, UK], 16 July 1961, p. 7.
• ‘A New Wave’, review of Owls Do Cry, Times Literary Supplement, 28 July 1961, p. 461.
• George, Daniel, ‘Confessions of a Prufrock’, review of Owls Do Cry, Daily Telegraph and Morning Post [UK], 4 August 1961, p. 15.
• Review of Owls Do Cry, Virginia Quarterly Review 37 (1961), pp. xiii-xiv.
• Neil, Philip, ‘Rough Eternal Truths’, review of Owls Do Cry, British Book News, July 1985, pp. 386-87.
• Brown Kevin, ‘Wonder Currencies’, review of Owls Do Cry, Times Literary Supplement, 15 November 1985, p. 1295.
• Jordis, Christine, ‘Désir, rêve, imaginaire dans un monde aveugle’, review of La Chambre close, Quinzaine Littéraire, 19-31 May 1986, p. 16.
• Doering, Sabine, ‘Gesicht aus Maschendraht’, review of Wenn Eulen schrein, Frankfurter Allgemeine Zeitung, 8 May 2012.

• Review of Faces in the Water, Virginia Kirkus’ Service Bulletin, 1 July 1961, pp. 557-58.
• Ylvisaker, Miriam, review of Faces in the Water, Library Journal, August 1961, p. 2679.
• Grauel, George E., review of Faces in the Water, Best Sellers [USA], 1 September 1961, pp. 195-96.
• Pippett, Aileen, ‘New Zealand’, review of Faces in the Water, Saturday Review, 9 September 1961, p. 23.
• ‘The Inner Pit’, review of Faces in the Water, Time [Canada edition], 22 September 1961, pp. 97-98.
• Jackson, Katherine Gauss, review of Faces in the Water, Harper’s Magazine, September 1961, p. 102.
• N., E., ‘Realism and Fine Writing in New Zealand Novel’, review of Faces in the Water, New Zealand Herald [Auckland], 7 October 1961 (section 3), p. 2.
• Pick, Robert, ‘Ordeal at Cliffhaven’, review of Faces in the Water, New York Times Book Review, 8 October 1961, p. 36.
• Huffadine, Raynor, ‘Janet Frame’s Fine New Novel’, review of Faces in the Water, Southland Times [Invercargill, NZ], 14 October 1961, p. 11.
• Parker, Dorothy, review of Faces in the Water, Esquire, October 1961, pp. 56; 58.
• Rolo, Charles, ‘Lost’, review of Faces in the Water, Atlantic Monthly, October 1961, pp. 127-28.
• Hall, David, ‘The Wanton Gods’, review of Faces in the Water, Listener [NZ], 3 November 1961, p. 35.
• Reid, John C., ‘Two New Zealand Novels’, review of Faces in the Water, New Zealand Tablet [Dunedin, NZ], 8 November 1961, pp. 22-23.
• Review of Faces in the Water, Bookmark [USA], November 1961, p. 38.
• Healey, Robert, ‘The Many Faces of Fiction’, review of Faces in the Water, New York Herald Tribune: Books, 24 December 1961, p. 10.
• Bystander, review of Faces in the Water, New Zealand Monthly Review, December 1961, pp. 23-24.
• Quinton, Anthony, ‘Full Marks!’, review of Faces in the Water, Sunday Telegraph [London, UK], 14 January 1962, p. 7.
• Cruttwell, Patrick, ‘Versions of Reality’, review of Faces in the Water, Guardian [Manchester, UK], 19 January 1962, p. 7.
• Hope, Francis, ‘Sad Gothic Privacy’, review of Faces in the Water, Spectator [London, UK], 19 January 1962, pp. 78; 80.
• ‘Rough Round the Edges’, review of Faces in the Water, Times Weekly Review [London, UK], 25 January 1962, p. 10.
• ‘Seasons of Peril’, review of Faces in the Water, Times Literary Supplement, 26 January 1962, p. 61.
• Mortimer, John, ‘Breaking Out of the Cage’, review of Faces in the Water, Observer Weekend Review [London, UK], 11 February 1962, p. 31.
• Jennings, Elizabeth, review of Faces in the Water, Listener [London, UK], 1 March 1962, p. 22.
• Frank, Stella, ‘Documentary’, review of Faces in the Water, Sunday Times [London, UK], 11 March 1962, p. 32.
• Day, Paul, review of Faces in the Water, Landfall 16 (1962), pp. 195-98.
• Hayman, David, review of Faces in the Water, Books Abroad [USA] 36 (1962), pp. 321-22.
• Jackson, Kay, review of Faces in the Water, Fernfire [NZ] 9 (1962), p. 22.
• Review of Faces in the Water, Best Sellers [USA], 1 March 1971, p. 531.
• Raine, Pat, ‘Dingily Domestic’, review of Faces in the Water, Times Literary Supplement, 3 April 1981, p. 390.
• Pollak, Susan, ‘Novel Views of Madness’, review of Faces in the Water, Psychology Today [USA], May 1986, pp. 70-73.

• B[ullock], F[lorence] H[axton], review of The Edge of the Alphabet, New York Herald Tribune: Books, 23 September 1962, p. 10.
• Wiegand, William, ‘Toby, Pat and Zoe’, review of The Edge of the Alphabet, New York Times Book Review, 23 September 1962, p. 46.
• Caliri, Fortunata, review of The Edge of the Alphabet, America [New York, NY], 29 September 1962, pp. 822-23.
• Peden, William, ‘Ship of Dreams’, review of The Edge of the Alphabet, Saturday Review, 29 September, 1962, p. 29.
• Ylvisaker, Miriam, review of The Edge of the Alphabet, Library Journal, 1 September 1962, p. 2915.
• Smith, William James, ‘Six Novels out of the Summer Doldrums’, review of The Edge of the Alphabet, Commonweal [USA], 19 October 1962, pp. 99-100.
• ‘Subhuman Wasteland’, review of The Edge of the Alphabet, Time (Canadian edition), 26 October 1962, pp. 82-83.
• ‘Poking Fun at the World of Letters’, review of The Edge of the Alphabet, Times Weekly Review [London, UK], 22 November 1962, p. 13.
• Quinton, Anthony, ‘Egg-Head Loves’, review of The Edge of the Alphabet, Sunday Telegraph [London, UK], 25 November 1962, p. 6.
• Raphael, Frederic, ‘Life and the Lilywhite Girl’, review of The Edge of the Alphabet, Sunday Times [London, UK], 25 November 1962, p. 30.
• Shrapnel, Norman, ‘Automatic Living’, review of The Edge of the Alphabet’, Guardian [Manchester, UK], 16 November 1962, p. 7.
• Burgess, Anthony, ‘In the Twilight Zone’, review of The Edge of the Alphabet, Observer Weekend Review [London, UK], 18 November 1962, p. 25.
• Ascherson, Neil, ‘London’, review of The Edge of the Alphabet, New Statesman, 23 November 1962, p. 749.
• George, Daniel, ‘Shipmates Round the Bend’, review of The Edge of the Alphabet, Daily Telegraph and Morning Post [London, UK], 23 November 1962, p. 21.
• ‘Dead Wires’, review of The Edge of the Alphabet, Times Literary Supplement, 23 November 1962, p. 925.
• Raven, Simon, ‘Portrait of the Artist?’, review of The Edge of the Alphabet, Spectator [London, UK], 21 December 1962, p. 970.
• Bradbury, Malcolm, review of The Edge of the Alphabet, Punch, 2 January 1963, pp. 31-32.
• Beaver, Bruce, ‘Subtle N.Z. Novel’, review of The Edge of the Alphabet, Sydney Morning Herald, 2 February 1963 (late edition), p. 15.
• Hall, David, ‘Toby’s Odyssey’, review of The Edge of the Alphabet, Listener [NZ], 8 March 1963, p. 18.
• Crawford, Thomas, review of The Edge of the Alphabet, Landfall 17 (1963), pp. 192-95.

• Jebb, Julian, ‘Ruins in California’, review of Scented Gardens for the Blind, Sunday Times [London, UK], 14 July 1963, p. 26.
• Quigly, Isabel, ‘Schoolgirl’s Anguish’, review of Scented Gardens for the Blind, Sunday Telegraph [London, UK], 14 July 1963, p. 16.
• Ricks, Christopher, ‘Sam’s Motives’, review of Scented Gardens for the Blind, New Statesman, 19 July 1963, pp. 85-86.
• ‘New Fiction’, review of Scented Gardens for the Blind, Times Weekly Review [London, UK], 1 August 1963, p. 13.
• ‘Tongues of Men’, review of Scented Gardens for the Blind, Times Literary Supplement, 2 August 1963, p. 589.
• Campion, Sarah, ‘Sensitive, Powerful, Wholly New Zealand Mind’, review of Scented Gardens for the Blind, Auckland Star, 3 August 1963, p. 30.
• R., E.H., ‘Reader Made to Doubt Boundary of the Mind’, review of Scented Gardens for the Blind, New Zealand Herald [Auckland], 10 August 1963, section 3, p. 2.
• Hall, David, ‘The Eloquence of the Dumb’, review of Scented Gardens for the Blind, Listener [NZ], 16 August 1963, p. 18.
• Blackburn, F[rancis] W., ‘A Writer of Genius’, review of Scented Gardens for the Blind, New Zealand Tablet [Dunedin, NZ], 2 October 1963, pp. 22-23.
• Leeming, Owen, review of Scented Gardens for the Blind, Landfall 17 (1963), pp. 386-89.
• Review of Scented Gardens for the Blind, Virginia Kirkus’ Service Bulletin, 1 July 1964, p. 610.
• Pagones, Dorrie, ‘Gods and Beetles in the Grass’, review of Scented Gardens for the Blind, Saturday Review, 15 August 1964, p. 42.
• Buitenhuis, Peter, ‘Silent Jungle’, review of Scented Gardens for the Blind, New York Times Book Review, 16 August 1964, pp. 5; 20.
• Hungerford, Edward B., ‘Other Books Briefly’, review of Scented Gardens for the Blind, Chicago Sunday Tribune: Books Today, 16 August 1964, p. 10.
• Maurer, Robert, ‘The Odor of Success’, review of Scented Gardens for the Blind, Sunday Herald Tribune: Book Week [New York], 16 August 1964, p. 12.
• Hyman, Stanley Edgar, ‘Reason in Madness’, review of Scented Gardens for the Blind, New Leader [USA], 31 August 1964, pp. 23-24. Reprinted in his Standards: A Chronicle of Books for Our Time (New York: Avon, 1966), pp. 239-43.
• Mara, Maura, review of Scented Gardens for the Blind, Best Sellers [USA], 1 September 1964, p. 198.
• Casey, Genevieve M., review of Scented Gardens for the Blind, Library Journal, 15 September 1964, p. 3335.
• Jackson, Catherine Gauss, review of Scented Gardens for the Blind, Harper’s Magazine, September 1964, p. 111.
• Review of Scented Gardens for the Blind, Choice: Books for College Libraries, October 1964, pp. 310-11.
• Stilwell, Robert L., review of Scented Gardens for the Blind, Books Abroad [USA] 39 (1965), p. 350.
• ‘Paperbacks: New and Noteworthy’, review of Scented Gardens for the Blind, New York Times Book Review, 9 November 1980, p. 41.
• Stratford, Stephen, ‘Surfaces of Strangeness’, review of Scented Gardens for the Blind, Listener [NZ], 5 March 1983, p. 94.
• Campbell, Alison, review of Scented Gardens for the Blind, Spare Rib [London, UK], March 1984, p. 47.

• Review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Virginia Kirkus’ Service Bulletin, 15 May 1963, p. 481.
• Dempsey, David, ‘Only Death Will Solve Everything’, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, New York Times Book Review, 18 August 1963, p. 4.
• Prescott, Orville, ‘Lamentations for the Woes of Life’, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, New York Times, 21 August 1963, late city edition, p. 31.
• Review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Christian Century [USA], 21 August 1963, p. 1031.
• Elman, Richard M., ‘A Sense of Place’, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, New York Herald Tribune: Books, 25 August 1963, p. 10.
• Hungerford, Edward B., ‘Two Facets of the Talent of an Unorthodox Writer’, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Chicago Sunday Tribune: Magazine of Books, 25 August 1963, p. 5.
• Nyren, Dorothy, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Library Journal, August 1963, p. 2926.
• G., R.F., review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Best Sellers [USA], 1 September 1963, pp. 179-80.
• ‘The Slipcase Syndrome’, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Time [Canada], 20 September 1963, pp. 74; 76.
• Jackson, Katherine Gauss, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Harper’s Magazine, September 1963, p. 116.
• Auchincloss, Eve, ‘Needles and Pins’, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, New York Review of Books, 17 October 1963, pp. 5-6.
• Hoyt, Charles Alva, ‘Oracles on Ice’, review of The Reservoir: Stories and Sketches and Snowman, Snowman: Fables and Fantasies, Saturday Review, 16 November 1963, p. 44.

• ‘Emptiness Puffed Up’, review of The Adaptable Man, Time [Canada], 6 August 1965, p. 66.
• Sheed, Wilfrid, ‘When the Spell Works It’s Binding’, review of The Adaptable Man, New York Times Book Review, 8 August 1965, p. 4.
• G., F., ‘No Ooglies, No Bangs’, review of The Adaptable Man, Christian Science Monitor, eastern edition, 2 September 1965, p. 7.
• ‘Latest Work of Janet Frame: New Novel Wins Praise’, review of The Adaptable Man, Otago Daily Times [Dunedin, NZ], 9 September 1965, p. 5.
• Tracy, Honor, ‘Amid the Alien Corn’, review of The Adaptable Man, New Republic, 11 September 1965, pp. 20-21.
• Fairbanks, Jonathan, review of The Adaptable Man, Critic [University of Otago, Dunedin, NZ], 24 September 1965, p. 7.
• Mann, Charles W., review of The Adaptable Man, Library Journal, 1 October 1965, p. 4108.
• Manville, W.H., ‘Boring from Within’, review of The Adaptable Man, Sunday Herald Tribune: Book Week [New York, NY], 3 October 1965, p. 19.
• Review of The Adaptable Man, New Yorker, 9 October 1965, p. 233.
• Review of The Adaptable Man, Observer Weekend Review [London, UK], 17 October 1965, p. 28.
• ‘It, With and Without’, review of The Adaptable Man, Times Literary Supplement, 21 October 1965, p. 933.
• Hemmings, F.W.J., ‘Most Important’, review of The Adaptable Man, New Statesman, 22 October 1965, p. 613.
• Brooks, Jocelyn, review of The Adaptable Man, Listener [London, UK], 11 November 1965, p. 769.
• J., S.M., ‘Change from More Personal Themes’, review of The Adaptable Man, Auckland Star, 17 November 1965, p. 25.
• Review of The Adaptable Man, Choice: Books for College Libraries, November 1965, p. 579.
• R., E.H., ‘Janet Frame Moves Scene to Suffolk and Finds Enigma’, review of The Adaptable Man, New Zealand Herald [Auckland, NZ], 1 December 1965, section 2, p. 12.
• C., R.A., ‘Creative Gift’, review of The Adaptable Man, Press [Christchurch, NZ], 11 December 1965, p. 4.
• Hall, David, ‘Adaptations’, review of The Adaptable Man, Listener [NZ], 17 December 1965, p. 19.
• Curnow, Heather, review of The Adaptable Man, Dispute [Auckland], January-February 1966, pp. 15-16.
• Hall, John, ‘On Passionate Aussies’, review of The Adaptable Man, Books and Bookmen [London, UK], February 1966, pp. 30-31.
• R., P.G., ‘Frame’s Latest Novel’, review of The Adaptable Man, Salient [Victoria University of Wellington, NZ], 1 April 1966, p. 8.
• Blackburn, F[rancis] W., ‘Novels and their Creators’, review of The Adaptable Man, New Zealand Tablet [Dunedin, NZ], 4 May 1966, pp. 22-23.
• Joseph, M.K., review of The Adaptable Man, Landfall 20 (1966), pp. 92-95.
• Graham, Desmond, ‘Intelligence and Wit’, review of The Adaptable Man, Journal of Commonwealth Literature 4 (1967), pp. 148-50.
• Halio, Jay L., ‘Second Skins’, review of The Adaptable Man, Southern Review [USA] new series 4 (1968), pp. 236-47.
• Rogers, Michael, “Classic Returns”, review of The Adaptable Man and Daughter Buffalo, The Library Journal, 1 July 1992, p. 132.

• Kitching, Jessie, review of A State of Siege, Publishers Weekly, 23 May 1966, p. 80.
• Anderson, H.T., review of A State of Siege, Best Sellers [USA], 15 July 1966, pp. 149-50.
• Cook, Bruce, ‘Miss Frame’s Night of Terror in the Compelling “State of Siege”’, review of A State of Siege, National Observer [USA], 18 July 1966, p. 21.
• ‘Who Goes There?’, review of A State of Siege, Newsweek, 18 July 1966, pp. 98-99.
• Poore, Charles, ‘The Psychedelic Power of Human Vanity’, review of A State of Siege, New York Times, 21 July 1966, late city edition, p. 31.
• Hungerford, Edward B., ‘Reading for a Long Hot Summer’, review of A State of Siege, Chicago Sunday Tribune: Books Today, 7 August 1966, p. 4.
• ‘Around the Arts’, review of A State of Siege, National Observer [USA], 29 August 1966, p. 17.
• Mann, Charles W., review of A State of Siege, Library Journal, August 1966, p. 3765.
• Bell, Millicent, ‘Night-Journey of the Soul’, review of A State of Siege, New York Times Book Review, 11 September 1966, p. 5.
• Review of A State of Siege, Booklist [USA], 1 October 1966, p. 156.
• Review of A State of Siege, Choice, March 1967, p. 39.
• Symons, Julian, ‘Sentimental Education’, review of A State of Siege, Sunday Times [London, UK], 16 April 1967, p. 52.
• R., E.H., ‘Death Knocks at Door on Waiheke Island’, review of A State of Siege, New Zealand Herald [Auckland, NZ], 17 June 1967, section 2, p. 2.
• C., R.A., ‘The Art of Janet Frame’, review of A State of Siege, Press [Christchurch, NZ], 24 June 1967, p. 4.
• Francis, Anne, ‘Is Giddy’, review of A State of Siege, Books and Bookmen [London, UK], June 1967, pp. 24-25.
• ‘In the Shadows’, review of A State of Siege’, Times Literary Supplement, 27 April 1967, p. 364.
• Hall, David, ‘Siege of Life’, review of A State of Siege, Listener [NZ], 21 July 1967, pp. 26-27.
• Astley, Thea, ‘One Character Is Set Against a Night of Terror’, review of A State of Siege, Sydney Morning Herald, 19 August 1967, late edition, p. 19.
• R[hodes], H. W[inston], review of A State of Siege, New Zealand Monthly Review, August 1967, p. 25.
• Belmer, F.R., ‘A Fine N.Z. Novel’, review of A State of Siege, Southland Times [Invercargill, NZ], 9 September 1967, p. 15.
• Hayman, David, review of A State of Siege, Books Abroad [USA] 41, 1967, p. 221.
• Reid, Ian, ‘A Bag of New Zealand Allsorts’, review of A State of Siege, Australian Book Review, December 1967/January 1968, pp. 36-37.
• Taylor, Margaret A., review of A State of Siege, Landfall 22 (1968), pp. 331-35.
• Gardner, John, ‘More Smog from the Dark Satanic Hills’, review of A State of Siege, Southern Review [USA], new series, 1969, pp. 224-44.
• ‘Paperbacks: New and Noteworthy’, review of A State of Siege, New York Times Book Review, 9 November 1980, p. 41.

• Craig, David, ‘Tanks, Trees’, review of The Reservoir and Other Stories, New Statesman], 11 March 1966, pp. 147-48.
• Review of The Reservoir and Other Stories, Observer Weekend Review [London, UK], 27 March 1966, p. 27.
• ‘Old Girls, Young Girls’, review of The Reservoir and Other Stories’, Times Literary Supplement, 28 April 1966, p. 361.
• R., E.H., ‘Scanty Plot but Effect Overpowers’, review of The Reservoir and Other Stories, New Zealand Herald [Auckland, NZ], 21 May 1966, section 2, p. 2.
• C., R.A., ‘Stories and Fantasies’, review of The Reservoir and Other Stories, Press [Christchurch, NZ], 11 June 1966, p. 4.
• Johnson, Louis, ‘Fate Has Heavy Hand in Miss Frame’s Vision’, review of The Reservoir and Other Stories, Auckland Star, 2 July 1966, p. 16.
• Johnson, Louis, ‘Depths of Despair Plumbed in N.Z. Short Stories’, review of The Reservoir and Other Stories, Dominion [Wellington, NZ], 16 July 1966, p. 9.
• Hall, David, ‘The Handcuff and the Key’, review of The Reservoir and Other Stories, Listener [NZ], 29 July 1966, p. 21.
• Astley, Thea, ‘A Writer of Distinction’, review of The Reservoir and Other Stories, Sydney Morning Herald, 30 July 1966, late edition, p. 18.
• M.-S., E., ‘Rich Mixture in New Janet Frame’, review of The Reservoir and Other Stories, Evening Post [Wellington, NZ], 1 September 1966, p. 10.
• ‘The Art of Janet Frame’, review of The Reservoir and Other Stories, Otago Daily Times [Dunedin, NZ], 19 October 1966, p. 11.
• Bertram, James, review of The Reservoir and Other Stories, Landfall 20 (1966), pp. 290-92. Reprinted as ‘Janet Frame: The Reservoir’ in his Flight of the Phoenix: Critical Notes on New Zealand Writers (Wellington: Victoria University Press, 1985), pp. 124-26.

• Review of The Pocket Mirror: Poems, Kirkus Service, 1 March 1967, p. 310.
• Willingham, John R., review of The Pocket Mirror: Poems, Library Journal, 15 May 1967, pp. 1938-39.
• Stepanchev, Stephen, ‘Genius of Place’, review of The Pocket Mirror: Poems, New Leader [USA], 14 August 1967, pp. 20-21.
• Press, John, review of The Pocket Mirror: Poems, Puch, 7 February 1968, p. 211.
• ‘Topography and Triviality’, review of The Pocket Mirror: Poems, Times Literary Supplement, 15 February 1968, p. 155.
• S., P.A., ‘Janet Frame’s Poems’, review of The Pocket Mirror: Poems, Press [Christchurch, NZ], 24 February 1968, p. 4.
• ‘Mirror Images’, review of The Pocket Mirror: Poems, Canta [University of Canterbury, Christchurch, NZ], 26 February 1968, p. 4.
• Johnson, Louis, ‘Season Starts Well for New Zealand Poets’, review of The Pocket Mirror: Poems, Dominion [Wellington, NZ], 2 March 1968, p. 7.
• Reid, J.C., ‘An Individual Vision’, review of The Pocket Mirror: Poems, Listener [NZ], 29 March 1968, p. 20.
• Beaver, Bruce, ‘Not Averse to Miss Frame’, review of The Pocket Mirror: Poems, Sydney Morning Herald, 30 March 1968, late edition, p. 18.
• Review of The Pocket Mirror: Poems, Choice, March 1968, p. 48.
• Blackburn, F[rancis] W., ‘Exciting Double Event’, review of The Pocket Mirror: Poems, New Zealand Tablet [Dunedin, NZ], 17 April 1968, pp. 22-23.
• Weir, J.E., ‘Poems that Enrich Our Literature’, review of The Pocket Mirror: Poems, New Zealand Tablet [Dunedin, NZ], 22 May 1968, p. 23.
• Reid, Ian, ‘New Zealand Allsorts’, review of The Pocket Mirror: Poems, Australian Book Review, May 1968, pp. 126-27.
• Walker, Jan, ‘Books’, review of The Pocket Mirror: Poems, Salient [Victoria University of Wellington, NZ], 18 June 1968, p. 9.
• Bevan, Jack, ‘Poetry Chronicle’, review of The Pocket Mirror: Poems, Southern Review [USA] ns 6 (1970), pp. 863-74.

• Review of Mona Minim and the Smell of the Sun, Publishers Weekly, 14 April 1969, pp. 96-97.
• Review of Mona Minim and the Smell of the Sun, Kirkus Reviews, 1 May 1969, p. 502.
• Balakian, Nona, ‘In the Realm of Fantasy’, review of Mona Minim and the Smell of the Sun, New York Times Book Review, 4 May 1969, part 2, p. 34.
• Murray, Michele, ‘Life under the Rule of Dictators: A Pair of Differing Viewpoints’, review of Mona Minim and the Smell of the Sun, National Observer [USA], 9 June 1969, p. 23.
• Brauer, Ginger, review of Mona Minim and the Smell of the Sun, Library Journal, 15 September 1969, p. 3204.
• ‘Outstanding Books of the Year’, review of Mona Minim and the Smell of the Sun, New York Times Book Review, 9 November 1969, part 2, p. 62.

• Nott, Kathleen, ‘Return from the Dead’, review of The Rainbirds, Observer Review [London, UK], 13 October 1968, p. 30.
• Review of The Rainbirds, Sunday Times [London, UK], 27 October 1968, p. 63.
• Scott, Michael Maxwell, ‘Recent Fiction’, review of The Rainbirds, Daily Telegraph and Morning Post [London, UK], 14 November 1968, p. 23.
• ‘Thy Dingkum Come’, review of The Rainbirds, Times Literary Supplement, 21 November 1968, p. 1301.
• Review of Yellow Flowers in the Antipodean Room, Kirkus Service, 1 December 1968, pp. 1355-56.
• Review of Yellow Flowers in the Antipodean Room, Publishers Weekly, 2 December 1968, p. 36.
• Leonard, John, ‘Moon of Madness’, review of Yellow Flowers in the Antipodean Room, New York Times, 3 February 1969, late city edition, p. 33.
• Marsh, Pamela, ‘Return to Life – and Tragedy’, review of Yellow Flowers in the Antipodean Room, Christian Science Monitor, 8 February 1969, eastern edition, p. 9.
• Oates, Joyce Carol, review of Yellow Flowers in the Antipodean Room, New York Times Book Review, 9 February 1969, pp. 5; 46.
• Nelson, Barbara, review of Yellow Flowers in the Antipodean Room, Library Journal, 15 February 1969, p. 778.
• Jones, D.A.N., ‘Lean Creatures’, review of Yellow Flowers in the Antipodean Room, New York Review of Books, 27 February 1969, pp. 16-18.
• Crane, Lucille G., review of Yellow Flowers in the Antipodean Room, Best Sellers [USA], 1 March 1969, p. 475.
• Blackburn, F[rancis] W., ‘A Faithful Follower Has His Doubts’, review of The Rainbirds, New Zealand Tablet [Dunedin, NZ], 19 March 1969, pp. 23-23.
• Walker, Jan, ‘Semi-Detached Suburban’, review of The Rainbirds, Salient [Victoria University of Wellington, NZ], 19 March 1969, p. 8.
• Bertram, James, ‘Between Two Worlds’, review of The Rainbirds, Listener [NZ], 21 March 1969, p. 20. Reprinted as ‘Janet Frame: The Rainbirds’ in his Flight of the Phoenix: Critical Notes on New Zealand Writers (Wellington, NZ: Victoria University Press, 1985), pp. 126-28.
• ‘Rejected Resurrection’, review of Yellow Flowers in the Antipodean Room, Time [Canada edition], 21 March 1969, pp. 96; 98.
• Review of Yellow Flowers in the Antipodean Room, Booklist [USA], 15 April 1969, p. 942.
• Haynes, Muriel, ‘Nature as Status’, review of Yellow Flowers in the Antipodean Room, Saturday Review, 19 April 1969, pp. 41-42.
• West, Paul, ‘The Undead’, review of Yellow Flowers in the Antipodean Room, Book World [Washington Post and Chicago Tribune], 27 April 1969, p. 16.
• B[uchanan], D.G., ‘The Man Who Came Back’, review of The Rainbirds, Otago Daily Times [Dunedin, NZ], 7 May 1969, p. 13.
• Lardner, Susan, ‘Dresden and Dunedin’, review of Yellow Flowers in the Antipodean Room, New Yorker, 17 May 1969, pp. 145-46; 149-50.
• Brooks, Rae, review of Yellow Flowers in the Antipodean Room, Book of the Month Club News [USA], June 1969, p. 8.
• Reid, Ian, ‘New Zealand Books’, review of The Rainbirds, Australian Book Review, June 1969, pp. 158-59.
• Review of Yellow Flowers in the Antipodean Room, Choice, November 1969, p. 1221.
• Keller, Marcia, review of Yellow Flowers in the Antipodean Room, Library Journal, 15 December 1969, p. 4623.
• ‘Best Books of the Year’, review of Yellow Flowers in the Antipodean Room, Library Journal, 15 December 1969, p. 4584.
• Evans, Patrick D., review of The Rainbirds, Landfall 23 (1969), pp. 189-94.

• Review of Intensive Care, Publishers Weekly, 23 February 1970, p. 151.
• Review of Intensive Care, Kirkus Reviews, 1 March 1970, p. 273.
• Leonard, John, ‘Wars, Dreams, Gardens, Cages, Lies’, review of Intensive Care, New York Times, 23 April 1970, late city edition, p. 35.
• Haffner, Suzanne A., review of Intensive Care, Library Journal, 1 May 1970, pp. 1759-60.
• Davis, L.J., ‘The Brittle Art’, review of Intensive Care, Book World [Washington Post and Chicago Tribune], 3 May 1970, p. 8.
• Moynahan, Julian, ‘A Sort of Anzac Peter Ibbetson and Family’, review of Intensive Care, New York Times Book Review, 3 May 1970, p. 4.
• Cheney, Charlotte, ‘New Novel Called Terrifying’, review of Intensive Care, Pittsburgh Press, 10 May 1970, section 6, p. 6.
• ‘Back to Nightmare’, review of Intensive Care, Time [Canada edition], 18 May 1970, p. 68.
• Corbett, Edward P.J., review of Intensive Care, America [New York, NY], 23 May 1970, pp. 565-66.
• Review of Intensive Care, Booklist [USA], 1 June 1970, p. 1194.
• Ostermann, Robert, ‘Spelling Unmasks the Dreamers in a Brilliant Novel’, review of Intensive Care, National Observer [USA], 8 June 1970, p. 21.
• Vince, Thomas L., review of Intensive Care, Best Sellers [USA], 15 June 1970, p. 119.
• Easton, Elizabeth, review of Intensive Care, Saturday Review, 1 August 1970, pp. 29; 37.
• Review of Intensive Care, Choice, September 1970, pp. 840; 842.
• Morse, J. Mitchell, ‘Fiction Chronicle’, review of Intensive Care, Hudson Review [USA] 23 (1970), pp. 327-38.
• ‘Lost Generations’, review of Intensive Care, Times Literary Supplement, 17 September 1971, p. 1106.
• Nye, Robert, ‘Upside-Down Utopia’, review of Intensive Care, Guardian Weekly [Manchester, UK], 25 September 1971, p. 21.
• McEldowney, Dennis, ‘Breathe in the Gas Mask’, review of Intensive Care, Listener [NZ], 10 January 1972, p. 44.
• Noonan, William, ‘Seeking a Dream’, review of Intensive Care, Sydney Morning Herald, 19 February 1972, late edition, p. 22.
• Evans, Patrick D., ‘New Zealand Myth-Maker’, review of Intensive Care, Islands old series 1 (1972), pp. 180-83.
• Reid, Ian, ‘The Dark the Dull and the Dirty’, review of Intensive Care, Australian Book Review 10 (1972), p. 258.
• Edelstein, Arthur, ‘Art and Artificiality in Some Recent Fiction’, review of Intensive Care, Southern Review [USA] new series 9 (1973), pp. 736-44.

• Review of Daughter Buffalo, Kirkus Reviews, 1 June 1972, p. 639.
• Review of Daughter Buffalo, Publishers Weekly, 19 June 1972, p. 59.
• Rabinowitz, Dorothy, review of Daughter Buffalo, World [New York, NY], 1 August 1972, p. 71.
• Hendin, Josephine, ‘Dark Human Corners’, review of Daughter Buffalo, New York Times Book Review, 27 August 1972, pp. 3; 26.
• Avant, John Alfred, review of Daughter Buffalo, Library Journal, August 1972, p. 2642.
• Sheppard, R.Z., ‘Be Prepared’, review of Daughter Buffalo, Time [Canada], 11 September 1972, pp. 94-95.
• Review of Daughter Buffalo, New Yorker, 30 September 1972, p. 125.
• Harte, Barbara, review of Daughter Buffalo, Best Sellers [USA], 1 October 1972, pp. 297-98.
• Review of Daughter Buffalo, Booklist [USA], 15 October 1972, p. 174.
• Ostermann, Robert, ‘Circling a Pair in Search of Death, Miss Frame Still Marks Her Trail’, review of Daughter Buffalo, National Observer [USA], 28 October 1972, p. 23.
• ‘1972: A Selection of Noteworthy Titles’, review of Daughter Buffalo, New York Times Book Review, 3 December 1972, p. 74.
• Davies, Russell, ‘Misery in Manhattan’, review of Daughter Buffalo, Observer Review [London, UK], 21 January 1973, p. 34.
• Kavanagh, P.J., ‘Death Studies’, review of Daughter Buffalo, Guardian [Manchester, UK], 25 January 1973, p. 11.
• ‘With the Left Hand’, review of Daughter Buffalo, Times Literary Supplement, 26 January 1973, p. 85.
• McEldowney, Dennis, ‘Studies in Death’, review of Daughter Buffalo, Listener [New Zealand], 21 May 1973, p. 50.
• Review of Daughter Buffalo, Choice, May 1973, p. 454.
• Williams, Maslyn, ‘Ungrieved-Over Deaths’, review of Daughter Buffalo, Stdney Morning Herald, 9 June 1973, late edition, p. 24.
• Wevers, Lydia, review of Daughter Buffalo, New Zealand Book World, June 1973, p. 21.
• Baker, Roger, review of Daughter Buffalo, Books and Bookmen [London, UK], July 1973, pp. 110-11.
• Buren, Alice van, review of Daughter Buffalo, Harvard Advocate 106.2/3 (1973), pp. 84-85.
• Rhodes, Winston H., review of Daughter Buffalo, Landfall 27 (1973), pp. 159-62.
• Wade, Rosalind, ‘Quarterly Fiction Review’, review of Daughter Buffalo, Contemporary Review 222 (1973), pp. 213-16.
• Edmond, Lauris, ‘Three Novels’, review of Daughter Buffalo, Islands [old series] 3 (1974), pp. 335; 337-40.
• Brooke, Agnes-Mary, ‘Frame’s Too-Bleak Vision’, review of Daughter Buffalo, Press [Christchurch, NZ], 13 December 1986, p. 28.

• Review of Living in the Maniototo, Kirkus Reviews, 15 June 1979, pp. 700-01.
• Review of Living in the Maniototo, Publishers Weekly, 18 June 1979, p. 79.
• Sheppard, R.Z., ‘The Diary of a Mad Widow’, review of Living in the Maniototo, Time [USA edition], 6 August 1979, pp. 81-82.
• Harris, Robert R., ‘Janet Frame’s Reflections on Originals and Replicas’, review of Living in the Maniototo, Washington Post: Book World, 26 August 1979, p. 4.
• Wiehe, Janet, review of Living in the Maniototo, Library Journal, August 1979, p. 1587.
• Atwood, Margaret, ‘Split-Level Life in New Zealand’, review of Living in the Maniototo, New York Times Book Review, 16 September 1979, p. 13.
• Adams, Phoebe-Lou, review of Living in the Maniototo, Atlantic Monthly, September 1979, p. 93.
• Review of Living in the Maniototo, New Yorker, 17 September 1979, pp. 169-70.
• Review of Living in the Maniototo, Booklist [USA], 1 November 1979, pp. 430-31.
• T[hurman], J[udith], review of Living in the Maniototo, Ms. [USA], November 1979, p. 112.
• Grumbach, Doris, ‘All the Fictions for a Seasonal Feast’, review of Living in the Maniototo, Washington Post: Book World, 9 December 1979, pp. 1; 8-9.
• Review of Living in the Maniototo, Choice, March 1980, p. 70.
• Wevers, Lydia, ‘Through the I-Shaped Window’, review of Living in the Maniototo, Listener [NZ], 24 May 1980, pp. 68-69.
• ‘Paperbacks: New and Noteworthy’, review of Living in the Maniototo, New York Times Book Review, 9 November 1980, p. 41.
• Bolick, Merle Wallis, review of Living in the Maniototo, World Literature Written in English 19.2 (1980), pp. 239-41.
• Garebian, Keith, review of Living in the Maniototo, Chimo: Newsletter of the Canadian Association for Commonwealth Literature and Language Studies 1 (1980), pp. 41-43.
• Wolfe, Peter, ‘Contingency and Order’, review of Living in the Maniototo, Pacific Quarterly Moana 5 (1980), pp. 259-60.
• Theobald, George, ‘Bedside Book or Surrealist Pillow?’, review of Living in the Maniototo, PSA Journal [New Zealand Public Service Association], January/February 1981, p. 16.
• Shrapnel, Norman, ‘Trouble on the Frontier’, review of Living in the Maniototo, Guardian [Manchester, UK], 11 June 1981, p. 16.
• Campbell, James, ‘New Horizons’, review of Living in the Maniototo, New Statesman, 19 June 1981, p. 19.
• Uglow, Jennifer, ‘From Suburb to Suburb, review of Living in the Maniototo, Times Literary Supplement, 10 July 1981, p. 786.
• Yastine, Barbara, ‘Past Picks in Paper’, review of Living in the Maniototo, Ms. [USA], July 1981, p. 90.
• Gordon, Audrey, ‘Foggy Country’, review of Living in the Maniototo, New Zealand Woman’s Weekly, 10 August 1981, p. 166.
• Sage, Lorna, ‘The Cold Breath of Autumn’, review of Living in the Maniototo, Observer Review [London, UK], 30 August 1981, p. 20.
• Ranstead, Gillian, review of Living in the Maniototo, Broadsheet [NZ], October 1981, pp. 45-46.
• Lindsay, Elaine, ‘You Can’t See the Reality for the Smoke’, review of Living in the Maniototo, Sydney Morning Herald, 16 January 1982, late city edition, p. 42.

• Review of To the Is-Land, Kirkus Reviews, 1 August 1982, p. 916.
• Review of To the Is-Land, Publishers Weekly, 27 August 1982, p. 350.
• Cox, Shelley, review of To the Is-Land, Library Journal, 1 October 1982, p. 1872.
• Bevington, Helen, ‘The Girl from New Zealand’, review of To the Is-Land, New York Times Book Review, 21 November 1982, pp. 14; 34.
• Ward, Elizabeth, ‘Janet Frame and Her Kingdom by the Sea’, review of To the Is-Land, Washington Post: Book World, 2 January 1983, pp. 6-7.
• Review of To the Is-Land, New Yorker, 24 January 1983, p. 108.
• Evans, Faith, ‘A Depression Childhood’, review of To the Is-Land, Observer Review [London, UK], 3 April 1983, p. 29.
• Radford, Tim, ‘Kingdom by the Sea’, review of To the Is-Land, Guardian [Manchester, UK], 7 April 1983, p. 17.
• O’Sullivan, Vincent, ‘Arrangement of a Life’, review of To the Is-Land, Listener [NZ], 9 April 1983, pp. 82-83.
• Marshall, Owen, review of To the Is-Land, Oamaru Mail, 18 June 1983, p. 3.
• Mackenzie, Catherine, ‘Janet Frame(s) Her Life with Beauty’, review of To the Is-Land, New Zealand Woman’s Weekly, 4 July 1983, pp. 141; 143.
• Chisholm, Anne, ‘Needing to Imagine’, review of To the Is-Land, Times Literary Supplement, 8 July 1983, p. 737.
• Clement, Shelley, ‘Autobiography of Woman from an Unhappy “Home”’, review of To The Is-Land, Waikato Times [Hamilton, NZ], 13 August 1983, pagination unknown.
• Courtney, Helen, and Diane Quin, ‘In a Feminist Sense’, review of To the Is-Land, Broadsheet [NZ], October 1983, p. 43.
• Beston, John, review of To the Is-Land, Kunapipi 5.2 (1983), p. 105-07.
• McLeod, A.L., review of To the Is-Land, World Literature Today [USA] 57 (1983), p. 352.
• Lewis, Peter, ‘The Gender Trap: From Womanist Prose to Unwomanly Fiction’, review of To the Is-Land, Stand Magazine [Newcastle, UK] 26.1 (1984-85), pp. 42-49.
• Review of To the Is-Land, Broadsheet [NZ], November 1985, p. 32.
• Theobald, George, ‘Room with a View’, review of To the Is-Land, PSA Journal [New Zealand Public Service Association], 12 November – 9 December 1985, p. 12.
• Armstrong, T.D., ‘Janet and Jason’, review of To the Is-Land, London Review of Books, 5 December 1985, p. 26.
• Boldt, Anne, review of To the Is-Land, Madness Network News [Berkeley, CA] 8.2 (1986), p. 25.
• Review of To the Is-Land, Observer Review [London, UK], 30 August 1987, p. 21.
• Lucas, Robin, ‘For Sandy Reading: New Paperbacks’, review of To the Is-Land, Sydney Morning Herald, 12 December 1987, late edition, p. 72.

• Cusack, Gay, ‘Fence of Being’, review of You Are Now Entering the Human Heart, Listener [NZ], 3 March 1984, p. 82.
• Mitchison, Naomi, ‘Alchemy’, review of You Are Now Entering the Human Heart, New Statesman, 19 October 1984, pp. 30-31.
• Adcock, Fleur, ‘The Road to Independence’, review of You Are Now Entering the Human Heart, Times Literary Supplement, 9 November 1984, p. 1281. •Singmaster, Deborah, ‘Msprint’, review of You Are Now Entering the Human Heart, Guardian [Manchester, UK], 28 November 1984, p. 22.
• Oldfield, Sybil, review of You Are Now Entering the Human Heart, British Book News, February 1985, p. 117.
• Armstrong, T.D., ‘Janet and Jason’, review of You Are Now Entering the Human Heart, London Review of Books, 5 December 1985, p. 26.

• Review of An Angel at My Table, Publishers Weekly, 22 June 1984, pp. 94; 96.
• Review of An Angel at My Table, Kirkus Reviews, 1 July 1984, p. 611.
• Wevers, Lydia, ‘Past Visible’, review of An Angel at My Table, Listener [NZ], 21 July 1984, pp. 68-69.
• Manhire, Bill, ‘Frame’s Sane Proof of Her Existence’, review of An Angel at My Table, New Zealand Times [Wellington, NZ], 5 August 1984, p. 11.
• Cox, Shelley, review of An Angel at My Table, Library Journal, August 1984, p. 1441.
• McLaughlan, Gordon, ‘One of the Year’s Most Important Books and Big Changes in the Trade’, review of An Angel at My Table, Auckland Metro, August 1984, p. 143.
• Simpson, Peter, ‘Speaking for Herself’, review of An Angel at My Table, Australian Book Review, August 1984, pp. 10-12. >Tolerton, Jane, ‘Janet Frame Recalls a Frightened and Frightening Youth’, review of An Angel at My Table, New Zealand Woman’s Weekly, 10 September 1984, pp. 157-58.
• Wood, Susan, ‘Madness and the Sanity of Art’, review of An Angel at My Table, Washington Post: Book World, 16 September 1984, pp. 4-5.
• Courtney, Helen, review of An Angel at My Table, Broadsheet [NZ], September 1984, p. 45.
• Bevington, Helen, ‘Not Insane after All’, review of An Angel at My Table, New York Times Book Review, 7 October 1984, p. 26.
• Champlin, Charles, review of An Angel at My Table, Los Angeles Times Book Review, 7 October 1984, p. 4.
• McDowell, Edwin, ‘Publishing: Books from Down Under’, New York Times, 12 October 1984, p. C30.
• Mitchison, Naomi, ‘Alchemy’, review of An Angel at My Table, New Statesman, 19 October 1984, pp. 30-31.
• Singmaster, Deborah, ‘Msprint’, review of An Angel at My Table, Guardian [Manchester, UK], 28 November 1984, p. 22.
• Fleming, John, review of An Angel at My Table, Saturday Review, November-December 1984, p. 89.
• Dowrick, Stephanie, ‘The Fatality of Innocence’, review of An Angel at My Table, Sydney Morning Herald, 1 December 1984, late edition, p. 38.
• Rubin, Merle, ‘L’embarras du choix’, review of An Angel at My Table, Christian Science Monitor: Book Review, 7 December 1984, pp. B3; B5.
• Oldfield, Sybil, review of An Angel at My Table, British Book News, February 1985, p. 117.
• Walters, Margaret, ‘Waiting to Live’, review of An Angel at My Table, Guardian [Manchester, UK], 7 November 1985, p. 24.
• Review of An Angel at My Table, Broadsheet [NZ], November 1985, p. 32.
• Theobald, George, ‘Room with a View’, review of An Angel at My Table, PSA Journal [NZ Public Service Association], 12 November - 9 December 1985, p. 12.
• Armstrong, T.D., ‘Janet and Jason’, review of An Angel at My Table, London Review of Books, 5 December 1985, p. 26.
• Bird, Delys, review of An Angel at My Table, Kunapipi, 7.2 (1985), p. 193.
• McLeod, A.L., review of An Angel at My Table, World Literature Today [USA] 59 (1985), pp. 488-89.
• Boldt, Anne, review of An Angel at My Table, Madness Network News [Berkeley, CA] 8.2 (1986), p. 25.
• Maxson, Marylin, review of An Angel at My Table, Educational Forum [USA] 50 (1986), pp. 201-03.
• Ross, Robert, review of An Angel at My Table, World Literature Written in English ns 26 (1986), pp. 190-92.
• ‘Paperbacks of 1987’, review of An Angel at My Table, Sunday Times [London, UK], 6 December 1987, p. 60.
• Lucas, Robin, ‘For Sandy Reading: New Paperbacks’, review of An Angel at My Table, Sydney Morning Herald, 12 December 1987, late edition, p. 72.
• A[kiskal], H[agop] S., ‘Focus on Depression’, review of An Angel at My Table, Journal of Clinical Psychiatry [USA] 48 (1987), p. 171.

• Review of The Envoy from Mirror City, Publishers Weekly, 19 July 1985, p. 42.
• Review of The Envoy from Mirror City, Kirkus Reviews, 15 August 1985, p. 845.
• L[aRusso], J[oe], review of The Envoy from Mirror City, Booklist [USA], 1 September 1985, p. 19.
• McEldowney, Dennis, ‘Imposing Imagination’, review of The Envoy from Mirror City, Listener [New Zealand], 7 September 1985, p. 53.
• Cox, Shelley, review of The Envoy from Mirror City, Library Journal, 15 September 1985, p. 76.
• King, Michael, ‘Spectacular Fiction, Brilliant Biography and Some Pork Barrel Stuff’, review of The Envoy from Mirror City, Auckland Metro, September 1985, pp. 196-97.
• Sternhell, Carol, ‘In the Imagination’s True Country’, review of The Envoy from Mirror City, New York Times Book Review, 6 October 1985, p. 30.
• Ward, Elizabeth, ‘Janet Frame: Reflections of a Novelist’, review of The Envoy from Mirror City, Washington Post: Book World, 27 October 1985, p. 8. >Walters, Margaret, ‘Waiting to Live’, review of The Envoy from Mirror City, Guardian [Manchester, UK], 7 November 1985, p. 24.
• Willis, Pauline, ‘Bulletin: Publications’, review of The Envoy from Mirror City, Guardian [Manchester, UK], 11 November 1985, p. 10.
• Gerrard, Nicci, ‘Ways of Life’, review of The Envoy from Mirror City, New Statesman, 29 November 1985, pp. 35-36.
• Review of The Envoy from Mirror City, Broadsheet [New Zealand], November 1985, p. 32.
• Evans, Faith, ‘Coming Up for Air’, review of The Envoy from Mirror City, Observer Review [London, UK], 1 December 1985, p. 18.
• ‘Books of 1985’, review of The Envoy from Mirror City, Washington Post: Book World, 8 December 1985, pp. 16-17; 19.
• Theobald, George, ‘Room with a View’, review of The Envoy from Mirror City, PSA Journal [New Zealand Public Service Association], 12 November – 9 December 1985, p. 12.
• Adcock, Fleur, ‘An Innocent Abroad’, review of The Envoy from Mirror City, Times Literary Supplement, 10 January 1986, p. 42.
• Dowrick, Stephanie, ‘Sense of Wondrous Contemplation in the Ordinary World’, review of The Envoy from Mirror City, Sydney Morning Herald, 25 January 1986, late edition, p. 44.
• Mercer, Gina, ‘A Certain, Gentle, Humorous Voice’, review of The Envoy from Mirror City, National Times [Sydney, Australia], 24-30 January 1986, p. 33.
• Oldfield, Sybil, review of The Envoy from Mirror City, British Book News, January 1986, p. 54.
• Armstrong, T.D., ‘Janet and Jason’, review of The Envoy from Mirror City, London Review of Books, 5 December 1986, p. 26.
• McLeod, A.L., review of The Envoy from Mirror City, World Literature Today [USA] 60, 1986, p. 523.
• Garebian, Keith, ‘In the Aftermath of Empire: Identities in the Commonwealth of Literature’, Canadian Forum, April 1989, pp. 25-33.

• Review of The Carpathians, Kirkus Reviews, 15 August 1988, p. 1175.
• Review of The Carpathians, Publishers Weekly, 26 August 1988, p. 76.
• Nye, Robert, ‘New Fiction Round-Up’, review of The Carpathians, Guardian [Manchester, UK], 23 September 1988, p. 30.
• Evans, Patrick D., ‘Alien Land’, review of The Carpathians, Listener [NZ], 24 September 1988, pp. 70-71; 73.
• Adcock, Fleur, ‘An American in New Zealand’, review of The Carpathians, New Statesman and Society, 30 September 1988, pp. 42-43.
• Watson, Sophia, ‘Autumn Leaves’, review of The Carpathians, Books [London, UK], September 1988, pp. 8-9.
• Quigly, Isabel, ‘A Trilogy to Savour’, review of The Carpathians, Financial Times [London, UK], 1-2 October 1988, section 2, p. xxv.
• Duffy, Julia, review of The Carpathians, Library Journal, 15 October 1988, p. 102.
• Q[uinn], M[ary] E[llen], review of The Carpathians, Booklist [USA], 15 October 1988, p. 364.
• Smith, Shona, ‘Familiar Faces in Frame’s Fiction’, review of The Carpathians, Press [Christchurch, NZ], 15 October 1988, p. 28.
• Dowrick, Stephanie, ‘There Should Be Another Winner in the Frame’, review of The Carpathians, Sydney Morning Herald, 22 October 1988, late weekend edition, p. 88.
• Nokes, David, ‘Lexical Fall-Out’, review of The Carpathians, Observer Review [London, UK], 23 October 1988, p. 42.
• King, Michael, ‘Glimpses of Reality’, review of The Carpathians, Auckland Metro, October 1988, pp. 216; 218-19.
• Corbett, Frank, ‘Country of the Mind’, review of The Carpathians, North & South [NZ], November 1988, p. 122.
• Sharp, Iain, review of The Carpathians, More [NZ], November 1988, p. 248.
• Pilling, Jayne, ‘Relativities’, review of The Carpathians, Times Literary Supplement, 2-8 December 1988, p. 1350.
• Wartik, Nancy, review of The Carpathians, New York Times Book Review, 22 January 1989, p. 22.
• Dudding, Robin, ‘Bookmarks: Winners Now & Then’, New Zealand Listener, 17 June 1989, p. 79.
• McDowell, Edwin, ‘Book Notes: Longstanding Ties’, New York Times, 13 December 1989, p. C28.
• Alcock, Peter, review of The Carpathians, SPAN: Journal of the South Pacific Association for Commonwealth Literature and Language Studies 28 (1989), pp. 105-07.
• Ash, Susan, review of The Carpathians, Landfall 43.4 (1989), pp. 518-22.
• Farr, Cecilia Konchar, review of The Carpathians, Belles Lettres [Arlington, VA] 4 (1989), p. 21.
• Jones, Dorothy, ‘Placing Memory’, review of The Carpathians, CRNLE Reviews Journal [Australia] 1 (1989), pp. 69-71.

• Ballantyne, D.N., ‘Frame’d in Photographs’, review of Janet Frame: An Autobiography, Otago Daily Times [Dunedin, New Zealand], 21 June 1989, p. 28.
• Smith, Shona, ‘Mixed Truths from Janet Frame’, review of Janet Frame: An Autobiography, Press [Christchurch, New Zealand], 24 June 1989, p. 25.
• Anderson, Barbara, ‘The Way to Mirror City’, review of Janet Frame: An Autobiography, Listener [New Zealand], 22 July 1989, p. 74.
• Corbett, Frank, ‘A Weed with Exquisite Flowers’, review of Janet Frame: An Autobiography, North & South [New Zealand], August 1989, p. 135.

• ‘Cold Comfort’, Review of Towards Another Summer, Saturday Guardian, 5 July 2008, p. 21.
• Gates, David, ‘The Visit’, review of Towards Another Summer, New York Times, 14 May 2009, p. BR6.

• Cronin, J.S., ‘Attending to the Stories’, review of Janet Frame: Short Fiction, Commonwealth: Essays and Studies 33.2 (2011), pp. 181-84.

• Delrez, Marc, review of Dear Charles Dear Janet: Frame and Brasch in Correspondence, ed. by Pamela Gordon and Denis Harold, Commonwealth: Essays and Studies 33.2 (2011), pp. 151-53.

• Whiteford, Peter, ‘Having Her Say?’, review of Janet Frame: In Her Own Words, selected and ed. by Pamela Gordon and Denis Harold (North Shore: Penguin, 2011), Journal of New Zealand Literature 31.1 (2013), pp. 215-19.

• Kimber, Gerri, ‘Boiling for Soup’, review of Jay to Bee: Janet Frame’s Letters to William Theophilus Brown, ed. by Denis Harold (Berkeley, CA: Counterpoint, 2016), Times Literary Supplement, 6 January 2017, pp. 24-25.

• Cronin, Jan, ‘Attending to the Stories’, review of Janet Frame: Short Fiction, ed. by Marta Dvorak and Christine Lorre, special issue of Commonwealth: Essays and Studies 33.2 (2011), Journal of New Zealand Literature 29.1 (2011), pp. 181-84.
• Delrez, Marc, review of The Frame Function: An Inside-Out Guide to the Novels of Janet Frame, by Jan Cronin (Auckland: Auckland University Press, 2011), Journal of New Zealand and Pacific Studies 1.1 (2013), pp. 105-07.
• Gabrielle, Cindy, review of The Frame Function: An Inside-Out Guide to the Novels of Janet Frame, by Jan Cronin (Auckland: Auckland UP, 2011), forthcoming in Studies in the Novels.
• Gabrielle, Cindy, review of Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), forthcoming in Studies in the Novel.
• Lawn, Jennifer, review of The Frame Function: An Inside-Out Guide to the Novels of Janet Frame, by Jan Cronin (Auckland: Auckland UP, 2011), Journal of Postcolonial Writing Journal of Postcolonial, 48.4 (2012), pp. 459-46.
• Marsden, Peter, review of Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), Commonwealth: Essays and Studies 33.2 (2011), pp. 150-51.
• Mercer, Gina, ‘Entangled in Thickets’, review of The Frame Function: An Inside-Out Guide to the Novels of Janet Frame, by Jan Cronin (Auckland: Auckland University Press, 2011), Journal of New Zealand Literature 29.1 (2011), pp. 185-88.
• Michell, Isabel, ‘More Than Life Writing’, review of Janet Frame, by Claire Bazin (Tavistock: Northcote House, 2011), Journal of New Zealand Literature 31.1 (2013), pp. 196-99.
• Michell, Isabel, review of Janet Frame: Short Fiction, special issue of Commonwealth: Essays and Studies 33.2 (2011), ed. by Marta Dvorak and Christine Lorre, Journal of Postcolonial Writing 49.1 (2013), pp. 118-19.
• Tunca, Daria, review of Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), Journal of Postcolonial Writing 47.3 (2011), pp. 262-63.
• Wikse, Maria, ‘Framing Frame (Again)’, review of Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin and Simone Drichel (Amsterdam & New York: Rodopi, 2009; Cross/Cultures 110), Journal of New Zealand Literature 28.1 (2010), pp. 148-51.
• Wilson, Janet, review of The Secular Visionaries: Aestheticism and New Zealand Short Fiction in the Twentieth Century, by Joel Gwynne (Amsterdam & New York: Rodopi, 2010; Costerus New Series 186), Journal of Post Journal of Postcolonial Writing, 49.1 (2013), pp. 116-18.

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