Long Fiction

• Black Mirror (Sydney, NSW: Picador, 2002; North Sydney, NSW: Vintage, 2009).
• Sixty Lights (London: Harvill Press, 2004; London: Vintage, 2005; [ebook] Vintage Digital, 2013).
• Dreams of Speaking (North Sydney, NSW: Vintage, 2006; London: Harvill Secker, 2006; London: Vintage, 2007; [ebook] Vintage Digital, 2013).
• Sorry (North Sydney, NSW: Vintage, 2007; London: Harvill Secker, 2007; New York: Europa Editions, 2008; London: Vintage, 2008; [ebook] Vintage Digital, 2013).
• Five Bells (North Sydney, NSW: Vintage, 2011; London: Harvill Secker, 2011; New York: Picador 2011; London: Vintage, 2012; Melbourne, VIC: Penguin, 2018; [ebook] Vintage Digital, 2013).
• A Guide to Berlin (North Sydney, NSW: Vintage, 2015; North Sydney, NSW: Vintage, 2016; London: Harvill Secker, 2016; [ebook] Vintage Digital, 2016).
• The Death of Noah Glass (Melbourne, VIC: Text Publishing, 2018; [ebook] Text Publishing, 2018).
• Our Shadows (Melbourne, VIC: Text Publishing, 2020; [ebook] Text Publishing, 2020).
• Salonika Burning (Melbourne, VIC: Text Publishing, 2022; [ebook] Text Publishing, 2022).

 

Short Fiction

• The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000).
• Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998).

• ‘Modernity’, in Heroines, ed. by Dale Spender, Penguin Australian Women’s Library (Ringwood, VIC: Penguin Books Australia, 1991), pp. 155–64. Also published in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 11–19; in The Literature of Australia: An Anthology, ed. by Nicholas Jose, 1st American ed (New York: W.W. Norton & Co, 2009), pp. 1269–74; and in Macquarie PEN Anthology of Australian Literature, ed. by Nicholas Jose (Crows Nest, NSW: Allen & Unwin, 2009), pp. 1269–75.
• ‘Babies’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 94–104.
• ‘Dark Times’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 57–68.
• ‘Knowledge’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 121–29. Also published in Daughters of the Sun: Short Stories from Western Australia, ed. by Bruce Bennett and Susan Hayes (Nedlands, WA: University of Western Australia Press, 1994), pp. 4–14; in Sunburnt Country: Stories of Australian Life, ed. by B. R. Coffey (South Fremantle, WA: Fremantle Arts Centre Press, 1996), pp. 48–56; and in Western Australian Writing: An Online Anthology, ed. by John Kinsella (Nedlands, WA: University of Western Australia Library, 2003).
• ‘“Life Probably Saved by Imbecile Dwarf”’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 77–84. Also published in The Penguin Century of Australian Stories, ed. by Carmel Bird (Ringwood, VIC: Viking, Peguin Books Australia, 2000), pp. 413–19; and in The Penguin Century of Australian Stories, ed. by Carmel Bird, 2nd edition (Camberwell, Victoria: Penguin Books, 2006), pp. 640–48.
• ‘On the Piteous Death of Mary Wollstonecraft’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 105–20.
• ‘Other Places’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 28–51. Also published in Australian Women’s Stories: An Oxford Anthology, ed. by Kerryn Goldsworthy (South Melbourne, VIC: Oxford University Press, 1999), pp. 284–306.
• ‘The Astronomer Tells of Her Love’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 20–27.
• ‘The House of Breathing’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 148–57.
• ‘The Precision of Angels’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 52–56.
• ‘The Word “Ruby”’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 69–76.
• ‘These Eyes’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 140–47.
• ‘Touching Tiananmen’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 130–39. Also published in The Australian Short Story: An Anthology from the 1890s to the 1980s, ed. by Laurie Hergenhan, UQP Australian Authors (St Lucia, QLD: University of Queensland Press, 1994), pp. 312–20; and in The Australian Short Story, ed. by Laurie Hergenhan, UQP Australian Authors (St Lucia, QLD: University of Queensland Press, 2002), pp. 377–87.
• ‘Veronica’, in The House of Breathing (South Fremantle, WA: Fremantle Arts Centre Press, 1992; New York: George Braziller, 2000), pp. 85–93.
• ‘Darwin’s Beetles’, in Picador New Writing, ed. by Helen Daniel and Robert Dessaix (Sydney, NSW: Picador Australia, 1993), pp. 50–63.
• ‘Queenie the Wordless (for Sophia Bromfield)’, in Summer Shorts, ed. by Peter Holland (South Fremantle, WA: Fremantle Arts Centre Press, 1993), pp. 79–83. Also published as ‘Queenie the Wordless’ in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 91–100; in Grand Street, 65: Trouble (1998), pp. 20–25.
• ‘Snow’, in Reading from the Left, ed. by Wendy Jenkins (South Fremantle, WA: Fremantle Arts Centre Press, 1994), pp. 102–9. Also published in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 9–21.
• ‘Speaks Shadow’, in Heat, 2 (1996), 166–73. Also published in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 151–62.
• ‘The Re-Incarnation of Madame Tussaud’, in Risks, ed. by Brenda Walker (South Fremantle, WA: Fremantle Arts Centre Press, 1996), pp. 184–96. Also published in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 22–43; and as ‘The Reincarnation of Madame Tussaud’, in Grand Street, 65: Trouble (1998), pp. 7–19.
• ‘Eleanor Reads Emma’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 44–57. Also published in The Simple Act of Reading, ed. by Adelaide Debra (Sydney, NSW: Random House Australia, 2015), pp. 165–73.
• ‘Five Gifts, Told by Echo’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 163–76.
• ‘Heartbreak Hotel’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 114–25. Also published in Home and Away: Australian Stories of Belonging and Alienation, ed. by Bruce Bennett and Susan Hayes (Nedlands, WA: University of Western Australia Press, 2000), pp. 147–54.
• ‘Resuscitating Proust’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 71–90.
• ‘Skiascopy (or, The Science of Romance)’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 58–70.
• ‘The Man in the Moon’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 135–50.
• ‘The Veil’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 101–13.
• ‘Touch (The Births of Walt Whitman)’, in Fetish Lives (South Fremantle, WA: Fremantle Arts Centre Press, 1997; New York: George Braziller, 1998), pp. 126–34. Also published in Below the Waterline: 31 Australian Writers Choose Their Best Short Stories, ed. by Garry Disher (Sydney, NSW: HarperCollins, 1999), pp. 308–13.
• ‘Desolation’, Kenyon Review, New Series, 25.1 (2003), 9–17. Also published in The O. Henry Prize Stories, ed. by Laura Furman (New York: Anchor Books, 2005), pp. 135–43.
• ‘Something Unbroken’, The Bulletin, 122.6452 (2004), 117–20.
• ‘The Bridge of Sighs’, in The Best Australian Stories 2009, ed. by Delia Falconer (Melbourne, VIC: Schwartz Media, 2009), pp. 1–10.
• ‘The Ocean’, in A Country Too Far: Writings on Asylum Seekers, ed. by Thomas Keneally and Rosie Scott (Melbourne, VIC: Viking, 2013; [ebook] Penguin, 2013), pp. 103–9. Also published in A Country Too Far: Writings on Asylum Seekers, ed. by Thomas Keneally and Rosie Scott (Sydney, NSW: Penguin, 2017), pp. 103–09; and in ebook format in A Country Too Far: Teacher’s Edition, ed. by Tom Keneally and Rosie Scott (Viking, 2013).
• ‘The Four Dreams of Lu Xun’, in Lu Xun and Australia, ed. by Mabel Lee, Chiu-yee Cheung, and Sue Wiles (Melbourne, VIC: Australian Scholarly, 2016), pp. 93–97. Also published in Antipodean China: Reflections on Literary Exchange, ed. by Nicholas Jose and Benjamin Madden (Artarmon, NSW: Giramondo Publishing, 2021; [ebook] Giramondo Publishing, 2021).

 

Extracts from Fiction

• ‘Shards of the Orphan (Sixty Lights, Novel Extract)’, The Age, 24 January 2005, pp. 4–5.
• ‘Sorry (Novel Extract)’, in What to Read Next: A Taste of The Age Melbourne Writers’ Festival 2007 (Southbank, VIC: The Melbourne Writers’ Festival, 2007), pp. 101–11.
• ‘Our Shadows (Novel Extract)’, in A Book of Friends: In Honour of J.M. Coetzee on His 80th Birthday, ed. by Dorothy Driver (Melbourne, VIC: Text Publishing, 2020), pp. 91–98.

 

Articles, Essays & Book Chapters

• ‘The Heart Beating Across the Room (on Possessing Someone Else’s Photographs)’, Australian Book Review, 173, 1995, pp. 36–41.
• ‘Skulls, Fontanelles and the Spaces Between’, The UTS Review, 1.2 (1995), 170–80.
• ‘Thaumatropes’, in The Space Between: Australian Women Writing Fictocriticism, ed. by Heather Kerr and Amanda Nettelbeck (Nedlands, W.A: University of Western Australia Press, 1998), pp. 98–114.
• ‘Without Stars (A Small Essay on Grief)’, HEAT, 7 (1998), 138–50.
• ‘Sorry-in-the-Sky: Empathetic Unsettlement, Mourning, and the Stolen Generations’, in Imagining Australia: Literature and Culture in the New New World, ed. by Judith Ryan and Chris Wallace-Crabbe (Cambridge, Mass. ; London: Harvard University Press, 2004), pp. 159–71.
• ‘On Small Things’, The Weekend Australian, 8 January 2005, p. 2.
• ‘A Dreaming, A Sauntering: Re-Imagining Critical Paradigms’, Journal of the Association for the Study of Australian Literature, 5 (2006), 11–24.
• ‘Surviving a Bootprint on the Page’, The Australian Literary Review, 2.4 (2007), 24–25. Also published as ‘Speaking Shadows: Justice and the Poetic’, in Just Words? Australian Authors Writing for Justice, ed. by Bernadette Brennan (St Lucia, QLD: University of Queensland Press, 2008), pp. 76–86
• ‘A Passion for Placing a Scene’, The Age, 7 April 2007, pp. 24–25.
• ‘A Poetics of Sense: Michael Ondaatje’s In the Skin of a Lion’, ed. by Shirley Chew and Chandani Lokuge, Moving Worlds: A Journal of Transcultural Writing, Michael Ondaatje: Critical Perspectives, 10.2 (2010), 57–67.
• ‘The Legend of Jandamarra’, The Monthly, October 2011. [available online]
• ‘Glasses and Speculations: On Hazzard’s Transits’, in Shirley Hazzard: New Critical Essays, ed. by Brigitta Olubas, Sydney Studies in Australian Literature (Sydney, NSW: Sydney University Press, 2014), pp. 65–78.
• ‘“Growing Small Wings”: Walter Benjamin, Lola Ridge, and the Political Affect of Modernism’, Affirmations: Of the Modern, 1.2 (2014), 120–42. [available online]
• ‘Desperate, Marvellous Shuttling: White’s Ambivalent Modernism’, in Patrick White Beyond the Grave: New Critical Perspectives, ed. by Ian R. Henderson and Anouk Lang (London ; New York, NY: Anthem Press, 2015), pp. 155–62.
• ‘Five Meditations on a Moonlit Night (I.M. Veronica Brady)’, Le Simplegadi, 14.16 (2016), 16–24.
• ‘“I Am Chinese”: Of Bodies and Walls, Of Boundaries and Their Dissolution’, Moving Worlds: A Journal of Transcultural Writing, Imagining Asia, 16.2 (2016), 80–108.
• ‘Dark Places: The Movement of the Image (Thoughts on the Work of Veronica Brady)’, Coolabah, 22 (2017), 10–18. Also published in Veronica Brady: A Living Legacy, ed. by Kieran Dolin (Adelaide: ATF Theology, 2017), pp. 35–46.
• ‘Turnings and Over-Turnings in Glebe’, Sydney Review of Books, 9 February 2018. [available online]
• ‘Cleansing Ceremonies in Germany Mark a Homecoming and a Shift in Cultural Understanding’, The Guardian, 29 November 2019.

 

Forewords & Responses

• ‘Preface to Marion Campbell’s Fragments from a Paper Witch’, in Fragments from a Paper Witch, by Marion Campbell (Cambridge: Salt, 2008), pp. ix–xvi.
• ‘The Erotics of Immersion: Responses to Floating Life’, in The Floating World: Jo Darbyshire (Maylands, W.A.: Jo Darbyshire, 2009).
• ‘Publisher’s Blurb’, in Between a Wolf and a Dog, by Georgia Blain (Brunswick, Victoria: Scribe Publications, 2016).
• ‘Introduction’, in The Cockatoos, by Patrick White, Text Publishing (Melbourne, VIC, 2019), pp. vii–xvi.
• ‘Publisher’s Blurb’, in Mother Tongue, by Joyce Kornblatt (Blackheath, NSW: Brandl and Schlesinger, 2020).

 

Reviews

• Review of Exiles at Home: Australian Woman Writers 1925-1945, by Drusilla Modjeska, Westerly, 27.2 (1982), pp. 100–104.
• Review of Randolph Stow: Visitants, Episodes from Other Novels, Poems, Stories, Interviews, and Essays, by Jenny de Reuck and Hugh Webb (eds.), Span: Journal of the South Pacific Association for Commonwealth Literature and Language Studies, Neocolonialism, 33, 1992, 173–74.
• ‘The Pleasures of Fraudulence’, review of The Ern Malley Affair, by Michael Heyward, Voices, 4.1 (1994), pp. 104–07.
• ‘Quirky and Enigmatic’, review of Duckness, by Tim Richards, Australian Book Review, 205, 1998, pp. 20–21.
• ‘Oceans of Story’, review of Australian Short Fiction: A History, by Bruce Bennett, The Times Literary Supplement, 5196, 2002, p. 28.
• ‘Compass of the Small’, review of The Best Australian Stories 2002, by Peter Craven (ed.), Australian Book Review, 248, 2003, pp. 25–26.
• ‘Fraying Nerves’, review of The Hamilton Case, by Michelle de Kretser, Australian Book Review, 251, 2003, p. 46. [available online]
• ‘Iatrogenic Fictions’, review of The List of All Answers, by Peter Goldsworthy, Australian Book Review, 261, 2004, pp. 37–38.
• Review of The List of All Answers, by Peter Goldsworthy, Australian Book Review, 261, 2004, pp. 37–38.
• ‘Open and Heterodox’, review of The Best Australian Stories 2004, by Frank Moorhouse (ed.), Australian Book Review, 268, 2005, pp. 32–33. Also online.
• Review of After Blanchot: Literature, Criticism, Philosophy, by Leslie Hill, Brian Nelson, and Dimitris Vardoulakis (eds.), Australian Book Review, 284, 2006, p. 58.
• ‘Best Books of the Year 2006’, includes a short review by Gail Jones, Australian Book Review, 287, 2006, 25–29.
• ‘Books of the Year 2007’, includes a short review by Gail Jones of Walter Benjamin’s Grave, by Michael Taussig, of At the Same Time, by Susan Sontag, and of The Complete Stories, by David Malouf, Australian Book Review, 297, 2007, 18–22.
• ‘On a Library of Memories’, review of Unpacking My Library, by Walter Benjamin, The Weekend Australian, 23 February 2008, p. 2.
• ‘In the Darkness, Words to the Rescue’, review of Reading by Moonlight: How Books Saved a Life, by Brenda Walker, Australian Literary Review, 5.4 (2010), 16.
• ‘My Favourite Novel: Swooning to Ondaatje’s Roar’, review of In the Skin of a Lion, by Michael Ondaatje, The Australian, 6 August 2011, pp. 18–19.
• ‘Books of the Year 2011’, includes a short review by Gail Jones of Knuckled, by Fiona Wright, and of Small Indiscretions, by Felicity Castagna, Australian Book Review, 337, 2011, pp. 27–31.
• ‘Celebrating Our Far Western City of Contradictions’, review of Perth, by David Whish-Wilson, Sydney Morning Herald, 1 March 2014, p. 31.
• ‘The Missing Novels: Our Critics Nominate Some Overlooked Classics’, includes a short review by Gail Jones of The Scent of Eucalyptus, by Barbara Hanrahan, Australian Book Review, 374, 2015, pp. 41–43. [available online]
• ‘2018 Australian Book Review Film Survey’, includes a short review by Gail Jones of Bicycle Thieves, by Vittorio De Sica, Australian Book Review, 402, 2018. [available online]
• ‘Beautiful and Clumsy’, review of The Cockatoos, by Patrick White, The Australian, 8 June 2019, p. 16.
• ‘From Dysfunction and Provincialism to an Elegant Literary Life: Gail Jones Reviews the "Brilliant" First Biography of Shirley Hazzard’, The Conversation, 13 December 2022. [available online]

 

Critical Monograph

• The Piano, Australian Screen Classics (Strawberry Hills Canberra: Currency Press, 2007; [ebook] Currency Press, 2007).

 

Thesis

• ‘Mimesis and Alterity: Postcolonialism, Ethnography and the Representation of Racial Others’ (Doctoral Thesis, University of Western Australia, 1995). Jones’ thesis was presented for the degree of Doctor of Philosophy of The University of Western Australia in the Department of English in 1994, and accepted in fulfilment of the final requirement for the degree of Doctor of Philosophy of The University of Western Australia on 27th July 1995.

 

Lectures & Readings

• ‘Five Meditations on a Moonlit Night’ (talk presented at the Nature and Art Conference, Toji Cultural Centre, South Korea, 2000). Published as article in 2016.
• ‘Dorothy Green Memorial Lecture’ (lecture presented at the Australian Association for the Study of Australian Literature Conference, The University of Adelaide, Adelaide, 2005).
• ‘Nativeland and Elsewhere’ (talk presented at the Shanghai Library, Shanghai, 2010).
• ‘Thea Astley Lecture’ (lecture presented at the Byron Bay Writers’ Festival, Byron Bay, 2012).
• ‘Gail Jones Beschreibt Einen Samstag in Sydney’ (reading presented at the Literaturhaus Köln, Cologne, 2014).
• ‘Spirals and Monuments: On Poetics, Narrative and Memorialization’ (literary reading presented at the Reading Across Borders with Professor Gail Jones, Australia National University, Canberra, ACT, 2015). [available online]
• ‘Spiral Time, Biscuit Tins, Butterflies: How Nabokov Enlivens Us’, Sydney Writers’ Festival Podcast, 30 September 2016. [available online]
• ‘Gail Jones Reads and Discusses Her Short Story “The Four Dreams of Lu Xun”’ (short story presented at the Writing and Society Research Centre, University of Western Sydney, Sydney, NSW, 2017). [available online]
• ‘Bewilderment and Sticky Fingerprints: Our Other History’ (Roderick Public Lecture presented at the James Cook University, Townsville, QLD, 2017).
• ‘The Four Dreams of Lu Xun’ (literary reading presented at the Other Worlds: Forums of World Literature Workshop - Antipodean China, The University of Adelaide, SA, 2017).
• ‘Immersion’ (presented at the Southern Waters: A Creative and Critical Symposium, The University of Adelaide, 2021). [available online]
• ‘Flowers and Moths: Reading and Writing in Dark Times’ (lecture presented at the Hedberg Writer in Residence Public Lecture, University of Tasmania, Hobard, TAS, 2022).
• ‘Wing-Flutter, Air-Sweep and Human Breath: The Ethics of Voice and Encounter in Australian Studies’ (keynote speech presented at the International EASA Conference, Universitat de les Illes Balears, Palma de Mallorca), 2023.

 

Interviews

• ‘Imaginative Excursions: About The House of Breathing’, interview by Peter Holland and Pippa Tandy, Fremantle Arts Review, 7.12–8.1 (1992–1993), 4–7.
• ‘Taking Breath: Talking with Gail Jones’, by Rosemary Sorensen, Australian Book Review, 149, 1993, p. 28.
• ‘Gail Jones. Interview’, by Anamaria Beligan, ORIZONT, January 2000.
• ‘Gail Jones: Dreams of Speaking (Transcript)’, interview by Lyn Gallacher, ABC Radio National: The Book Show, 22 February 2006.
• ‘Brisbane Writers’ Festival: Dreams of Speaking’, interview by Stuart Glover, 14 September 2006.
• ‘The Interview: Gail Jones’, by Michele McCrea, Wet Ink, 3, 2006, 26–29.
• ‘Gail Jones in Conversation with Rob Cawston’, interview, OpenDemocracy, 11 June 2007.
• ‘Interview with Sarah L’Estrange’, Australian Broadcasting Corporation’s Bookshow, 26 June 2007.
• ‘In Conversation: Forgetting and Remembering’, interview by Susan Wyndham, Byron Bay Writers Festival, Byron Bay, NSW, 28 July 2007.
• ‘The January Interview’, by Summer Block, January Magazine, 9 May 2008. [available online]
• ‘Sounds of the City’, interview by David Gaunt, Bookseller+Publisher, 90.5 (2010), 43.
• ‘Interview with Gail Jones’, by Magdalena Ball, BlogTalkRadio, 2011.
• ‘Open Page with Gail Jones’, Australian Book Review, 329, 2011, p. 68.
• ‘Five Bells with Novelist Gail Jones’, interview by Eleanor Wachtel, CBC Radio: Writers and Company, 2012.
• ‘In Conversation with Gail Jones’, interview by María Del Pilar Royo Grasa, Journal of the Association for the Study of Australian Literature, 12.3 (2012), 1–12.
• ‘Interview mit Gail Jones’, by Katharina Picandet, Edition Nautilus, April 2013.
• ‘Gail Jones (Transcript)’, by Lyn Gallacher, ABC Radio National: Books and Writing, 27 March 2005.
• ‘David Haworth Interviews Gail Jones’, Readings, 30 July 2015. [available online]
• ‘Gail Jones - Author of A Guide to Berlin’, Indie Book Awards, Author Q&As, 2016.
• ‘Unfolding Time with Gail Jones: An Interview’, by Valérie-Anne Belleflamme, Postgraduate Contemporary Women’s Writing Network, 3 August 2016.
• ‘The Pleasure of Language Itself: An Interview with Gail Jones’, by Robert Wood, Los Angeles Review of Books, 4 April 2018. [available online]
• ‘Stella Prize Winner Alexis Wright, Male Romance Writers, Gail Jones on Her New Novel, and Books for Kids’, interview by Claire Nichols, ABC Radio National: The Book Show, 17 April 2018. [available online]
• ‘Rodney Hall, Gail Jones and Gina Perry on What They’re Reading in April’, The Guardian, 29 April 2018.
• [Author Unknown], ‘Miles Franklin Literary Award 2019 Shortlist: Author Gail Jones’, CopyrightAgency, 3 July 2019.
• ‘Miles Franklin Shortlist 2019: Gail Jones, Jennifer Mills & Melissa Lucashenko’, interview by Astrid Edwards, The Garret: Writers on Writing, 4 July 2019. [available online]
• ‘Miles Franklin Shortlist - The Death of Noah Glass by Gail Jones’, interview by Claire Nichols, ABC Radio National: The Book Show, 12 July 2019.
• ‘Tall Poppies: The Podcast with Gail Jones’, interview by Breandáin O’Shea, Tall Poppies, February 2020. [available online]
• ‘Lamplight Residency with Markus Zusak, Gail Jones and Carol Major’, Q&A session held at the Fourth Online Varuna Writers Residency, Varuna: The National Writers’ House, Katoomba, NSW, 8 June 2020.
• ‘Haunted by Our Shadows’, interview by Patricia Karvelas, ABC Radio National: The Drawing Room, 21 October 2020. [available online]
• ‘Gail Jones - Our Shadows’, interview with Krissy Kneen, Avid Reader Bookshop, 23 October 2020. [available online]
• ‘Gail Jones in Conversation’, interview by Bernadette Brennan, Gleebooks Author Talks, 27 October 2020. [available online]
• ‘Salonika Burning’, interview by Kate Evans at the Bellingen Readers and Writers Festival, Bellingen, 2023.

• ‘Gestures Upwards: Joan London in Conversation with Gail Jones’, Fremantle Arts Review, 8.7 (1993), 14–15.
• ‘Veronica Brady’, Journal of Australian Studies, 21.54–55 (1997), 136–49.
• ‘Michelle de Kretser in Conversation with Gail Jones [at the Sydney Writers’ Festival, May 2008]’, Schwartz Media, 3 May 2013. [available online]
• ‘Anne Enright in Conversation with Gail Jones [at the Melbourne Writers Festival, August 2020]’, MWF Digital, 21 January 2021.

 

In Translation

• La casa del respiro, translated into Italian by Roberta Buffi (Milan: Tranchida, 1999).

• ‘Radiologi (eller Romantikens Vetenskap)’, in Australien Berättar : Drömtidens Framtid : Nitton Noveller, ed. & translated into Swedish by Lars Ahlström (Stockholm: Tranan, 2009), pp. 57–67.

• Vite Feticcio, translated into Italian by Roberta Buffi (Milan: Tranchida CorsoCosmo, 1998).
• ‘Prevtelení Madame Tussaudové a jiné príbehy’, translated into Czech by Alexandra Bücheler (Prague: One Woman Press, 2001).

• Een zee van licht, translated into Dutch by Willemijn de Jonge (Amsterdam: J.M. Meulenhoff, 2005).
• La Memoria de la Luz, translated into Castilian by Inés Belaustegui (Barcelona: Roca Editorial, 2005).
• Szescdziesiat swiatel, translated into Polish by Anna Bartkowicz (Warsaw: Warszawskie Wydawnictwo Literackie Muza, 2006).
• Sessenta Luzes, translated into Portuguese by José Vieira de Lima (Portugal: Edições Asa, 2007).
• 六十盏灯, translated into Mandarin by Yan Zhuang (Shanghai: Shanghai Literature & Art Publishing House, 2008). [original: 盖尔·琼斯：《六十盏灯》，庄焰译，上海：上海文艺出版社，2008年。]
• Sechzig Lichter: Roman, translated into German by Conny Lösch, 2nd edition (Hamburg: Ed. Nautilus, 2008; Munich: Deutscher Taschenbuch Verlag, 2009).
• Sixty Lights, trans. by Sika Fakambi (Le Nouvel Attila, 2022).

• Der Traum vom Sprechen: Roman, translated into German by Conny Lösch (Hamburg: Ed. Nautilus, 2006).

• Pardon : roman, translated into French by Sika Fakambi (Paris: Mercure de France, 2008).
• 抱歉, translated into Mandarin by Jun Fang and Jinglian Ly (Shanghai: Shanghai Literature & Art Publishing House, 2008). [original: 盖尔·琼斯：《抱歉》，方军、吕静莲译，上海：上海文艺出版社，2008年。]
• ם הסליחה, translated into Hebrew by Iris Bar’am (Israel: Keter Books, 2010).
• Perdita: Roman, translated into German by Conny Lösch, 1st edition (Hamburg: Ed. Nautilus, 2008; Munich: Deutscher Taschenbuch Verlag, 2011).

• Cinq carillons : roman, translated into French by by Josette Chicheportiche (Paris: Mercure de France, 2012).
• Ein Samstag in Sydney: Roman, translated into German by Conny Lösch (Hamburg: Ed. Nautilus, 2013).

诺亚·格拉斯之死, translated into Mandarin by Yao Li (Beijing: The Writers Publishing House, 2021). [original: 盖尔·琼斯：《诺亚·格拉斯之死》，李尧译，北京：作家出版社，2021年。]

 

Selected Panel Discussions and Papers

• ‘Images and Longing: The Insufficiency of Language’ (paper presented at the Love and Desire: Literature and the Intimate Conference, The National Library of Australia, Canberra, 2006).
• ‘[Title Unknown]’ (paper presented at the Inaugural China Australia Literary Forum, Sydney, NSW, 2011).
• Jones, Gail, Jay Parini, and Martin Stannard, ‘Shirley Hazzard: Literary Icon’ (panel discussion presented at the first international conference about Shirley Hazzard, Members’ Room, The New York Society Library, New York, 2012). [available online]
• ‘[Title Unknown]’ (paper presented at the 2nd China Australia Literary Forum, Beijing, 2013).
• ‘[Title Unknown]’ (paper presented at the Reading Coetzee’s Women Conference, Monash University Prato Centre, Palazzo Vai, Prato, 2016).
• ‘Mobility and Place’ (paper presented at the 4th China Australia Literary Forum, Guangzhou, 2017).
• ‘Dark Southness’ (paper presented at the Globalized Regionalism: Shared Patterns and Distinctive Histories of the Southern Hemisphere Conference Workshop, University College Dublin, Dublin, 2018).
• Cahill, Michelle, Gail Jones, Jill Jones, Matthew Hooton, Nicholas Jose, Kim Kruger, Rachael Mead, Jennifer Mills in conversation with Mandy Treagus, Theodora Galanis, Meg Samuelson and Madeleine Seys.‘Flood/Ebb’ (conversation panel at the Southern Waters: A Creative and Critical Symposium, The Univeristy of Adelaide, 2021). [available online]

 

Miscellaneous

• Bolton, Ken, et al., ‘Letters to the Editor’, Australian Book Review, July 1999.
• Drewe, Robert, Cate Kennedy, and Gail Jones, ‘Short but Oh so Sweet: Celebrating the Art of Short Story Writing’ (panel chaired by Chris Hanley at the Byron Bay Writers Festival, Byron Bay, 2007).
• Drewe, Robert, Gail Jones, and Ivor Indyk, ‘Australian Literature: Have We Lost the Plot?’ (panel chaired by Nicholas Bray at the Byron Bay Writers Festival, Byron Bay, 2007).
• ‘Australian Literature Is Chronically Underfunded — Here’s How to Help It Flourish’, The Conversation, 8 November 2020. [available online]
• Kanamori, Mayo, ‘A Tribute to Noreen Jones (1932-2021)’, Nikkei Australia: Japanese Diaspora in Australia , 2021. [see comment left by Gail Jones on 5 November 2021, available online]
• ‘“Magnets & Lightning Rods”: A Workshop for Emerging Writers with Gail Jones’ (workshop given at the University of Tasmania, Hobart, TAS, 2022).
• ‘“Writing from Loss/Experiments with Form”: A Masterclass with Gail Jones’ (creative writing masterclass given at the University of Tasmania, Hobart, TAS, 2022).
• Jones, Gail, Fiona McGregor, and Paul Dalgarno, ‘FictoHisto’ (panel chaired by Adam Norris at the Bellingen Readers and Writers Festival, Bellingen, 2023).
• Mikosza, Janine, and Kim Mahood, ‘Going Home’ (conversation moderated by Gail Jones at the Bellingen Readers and Writers Festival, Bellingen, 2023).

 

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